{"title":"Octave, Filter \u0026 Synthesizer","description":"\u003ch2\u003eOctave, Filter and Synthesiser Pedals\u003c\/h2\u003e\n\u003cp\u003eBy adding octaves and pitches as well as filtering and synthesis, this range of guitar effects can help drastically affect your sound and take your playing into new terrain.\u003c\/p\u003e\n\u003ch3\u003eThe range at World of Music\u003c\/h3\u003e\n\u003cp\u003eWith popular options such as the Electro Harmonix POG, Boss Harmonist and Earthquaker Devices Rainbow Machine, our range of Synth, Filter and Octave Pedals will transform your sound into something entirely new. Browse the range today.\u003c\/p\u003e","products":[{"product_id":"electro-harmonix-b9-organ-machine","title":"Electro Harmonix B9 Organ Machine","description":"\u003cp\u003eB inspired.\u003c\/p\u003e\n\u003cp\u003eWith 9 presets that were finely tuned to emulate the most legendary organs from the ‘60s and beyond, the Electro Harmonix B9 Organ Machine will transform your guitar or keyboard. Control the instrument’s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!\u003c\/p\u003e\n\u003cp\u003eHere are some tips on getting optimum performance from the Electro Harmonix B9 Organ Machine.\u003c\/p\u003e\n\u003cp\u003e1. The B9 is best as the first pedal in an effects chain. Place modulation delay and reverb effects after the B9. The unit will not perform well if placed in the effects loop of a guitar amp.\u003c\/p\u003e\n\u003cp\u003e2. The unit performs best using the bridge pickup of a guitar. If a guitars pickup has a weak output, performance can be improved by putting a clean boost or a compressor in front of the B9. It is not advised to place a distortion or overdrive in front of the B9. This will muddy up the input signal and cause the tracking to be unstable. If overdrive or distortion is desired it’s best to place it after the B9.\u003c\/p\u003e\n\u003cp\u003e3. Some guitar amplifiers have a uneven peaky frequency response that may cause some sounds to be over accentuated. A compressor in front or after the B9 can help smooth this out. This helps for a guitar player who’s playing is less than desirable in the dynamics department.\u003c\/p\u003e\n\u003cp\u003e4. The B9 was designed to be used with a guitar. The unit can be used with a bass guitar BUT the range the bass player can play will be limited. The unit tracks best above the C note, third fret on the A string. Below that performance is compromised and not recommended.\u003c\/p\u003e\n\u003cp\u003e5. The top range using a guitar in standard tuning is the 23rd fret. Above that the organ sound will not be heard.\u003c\/p\u003e\n\u003cp\u003e6. Garbage in Garbage out. The B9 tracks great and will follow what ever you play, but it is not a talent booster. Sloppy guitar playing will sound like a sloppy organ player. The B9 will bend notes just a regular guitar does. Organs do not bend, so for a more authentic organ sound limit bending.\u003c\/p\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370425532,"sku":"690\/B9","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Electro-Harmonix-B9-Organ-Machine_dpgb4f.jpg?v=1779760718"},{"product_id":"electro-harmonix-c9-organ-machine","title":"Electro Harmonix C9 Organ Machine","description":"\u003cp\u003eThe new C9 Organ Machine springboards off the revolutionary B9 to mine\u003cbr\u003e\nanother rich vein of classic gold and provide players with nine more\u003cbr\u003e\ndefinitive organ and keyboard sounds.\u003c\/p\u003e\n\u003cp\u003eThe C9 will transform your instrument into a convincing full body,\u003cbr\u003e\nelectric organ or vintage electronic keyboard. For each preset chosen,\u003cbr\u003e\nit also provides precise control over important elements of that sound’s\u003cbr\u003e\nsonic fingerprint like percussive click, modulation, attack\/sustain,\u003cbr\u003e\ndrawbar setting or high frequency content. Blend your dry signal to\u003cbr\u003e\ncreate beautiful layers. Lovers of classic organ and keyboard rejoice!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransform the tone of a guitar or keyboard\u003c\/li\u003e\n\u003cli\u003e9 presets that were finely tuned to emulate some of the most popular and classic organ and keyboard tones ever recorded. Modes include Tone Wheel, Prog, Compact, Shimmer, Lord Purple, Mello Flutes, Blimp, Press Tone and Telstar.\u003c\/li\u003e\n\u003cli\u003eProvides control over percussive attack level, modulation speed, organ and dry volume\u003c\/li\u003e\n\u003cli\u003eRugged and easy to use\u003c\/li\u003e\n\u003cli\u003eUse together with the B9 for dual keyboard possibilities!\u003c\/li\u003e\n\u003cli\u003eAustralian EHX 9.6DC-200 PSU included\u003c\/li\u003e\n\u003cli\u003eDimensions in mm: 102 (w) x 121 (l) x 89 (h)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370523836,"sku":"690\/C9","price":589.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4783_Orig_qhzgug.jpg?v=1779760718"},{"product_id":"electro-harmonix-key9-electric-piano-machine","title":"Electro Harmonix KEY9 Electric Piano Machine","description":"\u003cp\u003eCompleting the powerful trilogy forged by the B9 and C9 Organ Machines, the new KEY9 emulates the world’s most coveted electric pianos and more. With 9 presets, you can transform your axe and lay down a cool \"Riders on the Storm” style groove or some hot funk ala \"What’d I Say!”\u003c\/p\u003e\n\u003cp\u003eTake it from Mike Matthews who says: \"You’ll dig the way the KEY9 turns you into a Rhodes Scholar!”\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransforms the tone of your guitar or keyboard\u003c\/li\u003e\n\u003cli\u003e9 presets that were carefully crafted to emulate classic Wurlitzer and Rhodes sounds, plus more\u003c\/li\u003e\n\u003cli\u003ePresets provide control of the fundamental parameters that help define that instrument’s sound\u003c\/li\u003e\n\u003cli\u003eMany presets include adjustable modulation such as tremolo, phaser and chorus\u003c\/li\u003e\n\u003cli\u003eUse it with the B9 and C9 Organ Machines to create your own powerful keyboard rig\u003c\/li\u003e\n\u003cli\u003eFast and flawless tracking\u003c\/li\u003e\n\u003cli\u003eEHX 9.6DC -200 PSU included\u003c\/li\u003e\n\u003cli\u003eDimensions in mm: 102 (w) x 121 (l) x 89 (h)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic\"\u003eWurlitzer is a registered trademark of Gibson\/Baldwin. Rhodes is a registered trademark of Joseph Brandstetter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370556604,"sku":"690\/KEY9","price":589.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4972_Orig_w6fs2v.jpg?v=1779760721"},{"product_id":"electro-harmonix-mel9-tape-replay-machine","title":"Electro Harmonix Mel9 Tape Replay Machine","description":"\u003cp\u003eThe polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your guitar and resurrect the sound of vintage tape-based keyboards.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePays homage to nine of the coolest Mellotron sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir\u003c\/li\u003e\n\u003cli\u003eWorks on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!\u003c\/li\u003e\n\u003cli\u003eAlso works with bass guitar down do the open A string as well as keyboards\u003c\/li\u003e\n\u003cli\u003eIncludes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output\u003c\/li\u003e\n\u003cli\u003eDry Output jack outputs your input signal at unity gain\u003c\/li\u003e\n\u003cli\u003eAttack control sets the volume swell speed. As it's turned clockwise the notes fade in more gradually\u003c\/li\u003e\n\u003cli\u003eSustain control adjusts the release time after a sound is stopped. As it's turned clockwise, the fade out time increase\u003c\/li\u003e\n\u003cli\u003eComes with a standard EHX Australian 9.6DC200mA PSUDimensions in mm: 102 (w) x 121 (l) x 89 (h)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370589372,"sku":"690\/MEL9","price":589.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5282_Orig_hpkzqv.jpg?v=1779760721"},{"product_id":"electro-harmonix-micro-q-tron-envelope-filter","title":"Electro Harmonix Micro Q-Tron Envelope Filter","description":"\u003cp\u003eThe Electro Harmonix Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eDrive control sets sensitivity and filter sweep range\u003c\/li\u003e\n\u003cli\u003eSelectable low pass, band pass or high pass filters\u003c\/li\u003e\n\u003cli\u003eQ control sets the filter's bandwidth from smooth to funky\u003c\/li\u003e\n\u003cli\u003eTough and compact die-cast chassis\u003c\/li\u003e\n\u003cli\u003e9-volt battery included\u003c\/li\u003e\n\u003cli\u003eOptional 96DC-200BI power supply available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370622140,"sku":"690\/MICRO-Q","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Electro-Harmonix-Micro-Q_az1vce.jpg?v=1779760721"},{"product_id":"electro-harmonix-micro-pog-polyphonic-octave-generator","title":"Electro Harmonix Micro Pog Polyphonic Octave Generator","description":"\u003cdiv class=\"ptext\"\u003eThe Legenday and classic original POG won top awards\u003cbr\u003e\nfrom every major magazine on every continent for its flawless polyphonic\u003cbr\u003e\ntracking and musical flexibility. The Micro POG delivers the same\u003cbr\u003e\nperfect tracking and smooth polyphony in a simplified design. Now in a\u003cbr\u003e\nsmall pedalboard-friendly diecast chassis, the Micro POG delivers and\u003cbr\u003e\nwill blow you away the first time you use it.\n\u003cdiv style=\"padding-top: 6px;font-size: 80%\"\u003e\n\u003cdiv class=\"bull\"\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic super fast tracking: play chords, arpeggios or single notes with no glitches\u003c\/li\u003e\n\u003cli\u003eAdjustable original pitch volume\u003c\/li\u003e\n\u003cli\u003eAdjustable one octave up volume\u003c\/li\u003e\n\u003cli\u003eAdjustable one octave down volume\u003c\/li\u003e\n\u003cli\u003eAmazing 12 string guitar\u003c\/li\u003e\n\u003cli\u003eEasily turns your guitar into a bass\u003c\/li\u003e\n\u003cli\u003eChurch organ to Hammond like organ sounds\u003c\/li\u003e\n\u003cli\u003eDry output jack in addition to the effect output jack\u003c\/li\u003e\n\u003cli\u003eTough and compact die-cast chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12pt;font-weight: bold\"\u003eAustralian power supply included\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370654908,"sku":"690\/MPOG","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_3474_Orig_cre6w3.jpg?v=1779760721"},{"product_id":"electro-harmonix-nano-pog-polyphonic-octave-generator","title":"Electro Harmonix Nano POG Polyphonic Octave Generator","description":"\u003cp\u003eThe smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuper, space saving design\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eTracks chords, sweeps or single notes with no hitches or glitches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eGreat 12-string guitar sound or turn your guitar into a bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eAmazing organ-like sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eAdjustable original pitch volume, one octave up volume and one octave down volume\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eDry output jack in addition to the effect output jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eSilent footswitching and road worthy die-cast package\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eEHX 9.6DC-200 power supply included\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370687676,"sku":"690\/NANO-POG","price":509.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4975_Orig_dholoa.jpg?v=1779760724"},{"product_id":"electro-harmonix-pitch-fork-polyphonic-pitch-shifter","title":"Electro Harmonix Pitch Fork Polyphonic Pitch Shifter","description":"\u003cp\u003eThe Pitch Fork transposes an instrument’s pitch over a +\/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.\u003c\/p\u003e\n\u003cp\u003eThe controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.\u003c\/p\u003e\n\u003cp\u003eThe Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it’s pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.\u003c\/p\u003e\n\u003cp\u003eIn Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal’s range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork’s footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel\/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.\u003c\/p\u003e\n\u003cp\u003eThe Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransposes over a +\/- three octave range\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eThree shift modes: up, down or dual\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003e11-position Shift knob selects the transposition interval\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eEXP input lets you control pitch shift or glissando via optional expression pedal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eLatch and Momentary modes affect how the footswitch and EXP input behave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003e Comes with EHX 9.6DC-200mA AC Adapter, can also run off a 9V battery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857\"\u003eDimensions in mm: 70 (w) x 115 (l) x 54 (h)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861370720444,"sku":"690\/PF","price":469.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4974_Orig_x421np.jpg?v=1779760724"},{"product_id":"earthquaker-devices-arpanoid-polyphonic-pitch-arpeggiator","title":"Earthquaker Devices Arpanoid Polyphonic Pitch Arpeggiator","description":"\u003cp\u003eThe first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The\u003ca href=\"https:\/\/www.earthquakerdevices.com\/arpanoid\"\u003e Arpanoid\u003c\/a\u003e takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching.\u003c\/p\u003e\n\u003ch4\u003eControls\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eWet:\u003c\/strong\u003e Level control for the effect signal. Unity is around noon.\u003cbr\u003e\n\u003cstrong\u003eDry:\u003c\/strong\u003e Level control for the dry signal. Unity is around noon.\u003cbr\u003e\n\u003cstrong\u003eRate:\u003c\/strong\u003e Adjusts the speed of the sequence.\u003cbr\u003e\n\u003cstrong\u003eStep:\u003c\/strong\u003e Selects how many notes there are in the sequence which determines the overall feel and timing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eToggle Switch:\u003c\/strong\u003e Controls the direction of the sequence. All the way left is up, the sequence will continually repeat going up. In the middle is up\/down, the sequence will continually repeat going up then back down. All the way right is down, the signal will continually repeat going down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMode:\u003c\/strong\u003e 8 position selector switch to choose the octave and key:\u003cbr\u003e\n\u003cstrong\u003e1:\u003c\/strong\u003e Major: -1 octave to root.\u003cbr\u003e\n\u003cstrong\u003e2:\u003c\/strong\u003e Major: root to +1 octave.\u003cbr\u003e\n\u003cstrong\u003e3:\u003c\/strong\u003e Major: -1 octave through +1\u003cbr\u003e\n\u003cstrong\u003e4:\u003c\/strong\u003e Major: Random pattern\u003cbr\u003e\n\u003cstrong\u003e5:\u003c\/strong\u003e Minor: -1 octave to root.\u003cbr\u003e\n\u003cstrong\u003e6:\u003c\/strong\u003e Minor: root to +1 octave.\u003cbr\u003e\n\u003cstrong\u003e7:\u003c\/strong\u003e Minor: -1 octave through +1\u003cbr\u003e\n\u003cstrong\u003e8:\u003c\/strong\u003e Minor: Random pattern\u003c\/p\u003e\n\u003ch4\u003eHelpful Hint\u003c\/h4\u003e\n\u003cp\u003eWe suggest you treat your Arpanoid like a new instrument and take the time to learn how it works. Once you understand how the Arpanoid will work for you, you’ll receive a lifetime of enjoyment from your new \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/audio-interfaces\/\"\u003edevice\u003c\/a\u003e.\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861370753212,"sku":"M00001875","price":429.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4058_Orig_snaaag.jpg?v=1779760724"},{"product_id":"boss-aw-3-dynamic-wah","title":"Boss AW-3 Dynamic Wah","description":"\u003cdiv\u003eThe BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new \"Humanizer\" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eCompact pedal creates a variety of classic \"wah\" effects\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eDynamic wah sounds provide variable effect based on picking strength\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003e\"Humanizer\" effect creates human voice-type vowel sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eDedicated Bass input for processing bass guitar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eEXP Pedal mode allows wah control via optional expression pedal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eTempo can be set for pedal control or at fixed rate via Manual mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eBOSS five-year warranty\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861370917052,"sku":"AW3","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_1372_Orig_alpyir_1499c065-b510-4cb5-892d-ab313987f303.jpg?v=1779760724"},{"product_id":"earthquaker-devices-bit-commander-guitar-synthesizer","title":"Earthquaker Devices Bit Commander Guitar Synthesizer","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/www.earthquakerdevices.com\/bit-commander\"\u003eBit Commander\u003c\/a\u003e is a monophonic analog \u003ca href=\"https:\/\/www.worldofmusic.com.au\/guitars\/\"\u003eguitar\u003c\/a\u003e synthesizer with four octaves of vintage square wave synth tones. It’s no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.42857\"\u003eLike all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eControls:\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eSub: \u003c\/span\u003eTwo octaves down level\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eDown 1:\u003c\/span\u003e One octave down level\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eUp 1: \u003c\/span\u003eOne octave up level\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eBase:\u003c\/span\u003e Squared input signal level\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eLevel:\u003c\/span\u003e Master volume\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eFilter: \u003c\/span\u003eTone control, more highs clockwise, more warmth counter clockwise.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.42857\"\u003eAnalog, true bypass and hand made one at a time in the republic of Akron Ohio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;line-height: 1.42857\"\u003eMeasures\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e4 5\/8\" x 2 1\/2\" x 2.25\" with knobs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;line-height: 1.42857\"\u003ePower\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003eA standard 9 volt DC power supply with a negative centre 2.1mm barrel, no battery option.\u003c\/span\u003e\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861370949820,"sku":"M00001881","price":359.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_3363_Orig_xq9rqh.jpg?v=1779760727"},{"product_id":"earthquaker-devices-data-corrupter","title":"Earthquaker Devices Data Corrupter","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eModulated Monophonic Harmonizing PLL\u003cbr\u003e\n\u003c\/span\u003eOkay Brainiac, it’s time to put down that graphing calculator and get to work decoding your brand new Data Corrupter!\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.earthquakerdevices.com\/data-corrupter\"\u003eData Corrupter\u003c\/a\u003e is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator’s Root switch to fine tune the Data Corrupter’s tracking response for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and\/or interval of which may be selected via the Master Oscillator’s eight-position rotary switch. The Voice Mixer’s Oscillator control adjusts the Master Oscillator blend.\u003c\/p\u003e\n\u003cp\u003eThe Frequency Modulator applies pitch-bend modulation to the Master Oscillator. In Glide mode, you’ll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.\u003c\/p\u003e\n\u003cp\u003eThe Subharmonic assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic’s Root switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path. To unleash the cracked machine lurking within the Data Corrupter mainframe, set the Subharmonic Root switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves. If you think you’re brave enough, set the Subharmonic Root switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer’s Subharmonic control to set the lower octave volume.\u003c\/p\u003e\n\u003cp\u003eFinally, (or is it?) the Square control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave. That’s it. These aren’t the droids we’re looking for. Move along.\u003c\/p\u003e\n\u003cp\u003eEach and every Data Corrupter is built one-at-a-time by a team of ensigns aboard the Starship Enterprise locked in orbit around the Borg Cube of Akron, Ohio, USA. Make it so. Engage.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eControls\u003cbr\u003e\nNerd Talk\u003cbr\u003e\n\u003c\/span\u003eThe heart of this pedal is based around a CMOS Phase Locked Loop (PLL) IC. In a nutshell, the PLL takes your input signal and compares its phase and frequency against an oscillator, generates an output proportional to their difference then feeds it back to the oscillator. This then causes the oscillator to lock onto the input signal and generate a synthesized frequency. Pretty cool, right? This synthesized frequency is referred to as the Master Oscillator on the Data Corrupter.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eMaster Oscillator: \u003c\/span\u003eThe Master Oscillator takes it’s input from one of three sources: Unison, one octave down and two octaves down. Some frequencies are too high for the Master Oscillator to divide, therefore, shifting them down one or two octaves brings them back into the proper range (it also happens to sound super cool). These sources are referred to as \"Root” and can be selected via a three-position switch. The Root is then fed into the PLL and multiplied to create one of eight different intervals over three octaves that are selected by the rotary switch to create your harmony! This harmony can then be manipulated via the Frequency Modulator section.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003e\u003cbr\u003e\nFrequency Modulator: \u003c\/span\u003eThe Frequency Modulator has two modes, Glide and Vibrato. In Glide mode, the pitch will glide from note to note and the speed of the glide can be adjusted by the Rate control. At faster settings, this takes on a very cool phase shifting effect. In Vibrato mode, the pitch varies up and down to create a laser-like effect. The Frequency Modulator only affects the Master Oscillator, unless the Subharmonic Root switch is in the Oscillator position.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003e\u003cbr\u003e\nSubharmonic: \u003c\/span\u003eThe Subharmonic section of the Data Corrupter creates a sub octave of the Root and then divides it up into eight intervals over three octaves which are selected by the rotary switch to create your subharmonic harmony. The Root comes from one of two sources, Unison or the Master Oscillator. When Unison is selected, the Subharmonic will be a division of the square wave fuzz tone and the Frequency Modulator will have no effect. When Oscillator is selected, the Subharmonic will be a division of the Master Oscillator and the Frequency Modulator will be applied to the Subharmonic harmony.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eVoice Mixer and Level: \u003c\/span\u003eThe Master Oscillator, Subharmonic and Square wave fuzz tone all have volume controls under the voice mixer section. Use these to blend the three voices together to taste. The Level is a master volume and determines the overall output level of the \u003ca href=\"https:\/\/www.worldofmusic.com.au\/effects\/\"\u003eeffect\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eTracking\u003cbr\u003e\n\u003c\/span\u003eThis pedal should be placed close to front of your signal chain and before any delay, reverb or modulation effect. While it will work with most bridge pickups, the neck pickup will provide the best tracking results. Precise picking and single notes will track quickly and cleanly. Chords and sloppy playing will result in chaos. There is no control over the amount of gain because it really needs to be fine-tuned to properly track. Weak signals (like backing off on the guitar volume) will lead to poor tracking and gating.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDesign Notes\u003cbr\u003e\n\u003c\/span\u003eThis Device takes its inspiration from the Electrax Synthax and the \"Basic Frequency Synthesizer” by Ray Marston. Neither of these were really intended to be guitar effect pedals and a lot of work went into creating the Data Corrupter to provide excellent tracking and long sustain. We think you’ll find it more expressive and accurate than pretty much any other PLL based effect pedal around.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eMeasures: \u003c\/span\u003e5.65″ x 4.65″ x 2.25″ with knobs\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003ePower: \u003c\/span\u003eThe Data Corrupter should be powered a standard 9-volt DC power supply with a 2.1mm negative centre barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eCurrent Draw: \u003c\/span\u003e25mA\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eInput impedance: \u003c\/span\u003e1M\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eOutput impedance: \u003c\/span\u003e1K\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eSwitching: \u003c\/span\u003eThis device is true bypass and uses electronic relay based switching. Audio will not pass without power.\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861371015356,"sku":"M00001883","price":449.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5773_Orig_uvdtzm.jpg?v=1779760727"},{"product_id":"death-by-audio-deep-animation-frequency-selector","title":"Death by Audio Deep Animation Frequency Selector","description":"\u003cp\u003eThis is the Death by Audio Deep Animation and it's so good it hurts. This crazy goofball responds to how you play, enveloping and filter sweeping and overdriving. Finally, the perfect wave-thumper moving with how hard you hit your strings. It multiplies your dynamics into a hyper, exaggerated dance. Or it adds just the right amount of movement to punch through the mix.Or it moves around with an external trigger to lock you in. The sounds are wild, the thump is thick, and the animation is deep.\u003c\/p\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46861371310268,"sku":"DBA026","price":625.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_6283_Orig_m0buh7.jpg?v=1779760727"},{"product_id":"earthquaker-devices-organizer-polyphonic-organ-emulator","title":"Earthquaker Devices Organizer Polyphonic Organ Emulator","description":"\u003cp\u003eThe Organizer is a polyphonic organ emulator designed to mimic the\u003cbr\u003e\norgan tones of yesteryear crossed with the highly unique \"Guitorgan”.\u003cbr\u003e\nThe organizer has a warm and very analog  feel with a hint of Leslie\u003cbr\u003e\nwarble that is unlike other modern  octave shifters. It tracks all over\u003cbr\u003e\nthe neck on both guitar and  bass and will transpose single notes as\u003cbr\u003e\nwell as chords. The  Organizer uses a \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003emix\u003c\/a\u003e of analog and DSP circuitry\u003cbr\u003e\nwith true bypass switching and an all analog direct (dry) signal path.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eControls\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e\u003cspan style=\"font-weight: bold\"\u003eUp:\u003c\/span\u003e Level control for the octave up.\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e\u003cspan style=\"font-weight: bold\"\u003eDown: \u003c\/span\u003eLevel control for the octave down.\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e\u003cspan style=\"font-weight: bold\"\u003eChoir:\u003c\/span\u003e This control takes a mix of the octave up and octave\u003cbr\u003e\ndown setting and regenerates it. The end result is an additional 2\u003cbr\u003e\noctaves up, 2 octaves down and direct signal with a slight delay that\u003cbr\u003e\nadds a \"church organ” like feel. This control only works if the octave\u003cbr\u003e\nup and octave down are in use.\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e\u003cspan style=\"font-weight: bold\"\u003eDirect:\u003c\/span\u003e Level control for the analog dry signal.\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e\u003cspan style=\"font-weight: bold\"\u003eTone: \u003c\/span\u003eLow pass filter for the wet signal, counter clockwise rolls off the high end.\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857\"\u003e\u003cspan style=\"font-weight: bold\"\u003eLag:\u003c\/span\u003e Delay control for the wet signal. Full counter clockwise is minimal delay, delay time increases as it rotates clockwise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003ePower\u003cspan style=\"color: #ef001b\"\u003e\u003cbr\u003e\n\u003c\/span\u003e \u003c\/span\u003eA standard 9 volt DC power supply with a negative centre 2.1mm barrel, current draw is 70ma. No battery option.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eMeasures\u003cbr\u003e\n\u003c\/span\u003e4 5\/8\" x 2 1\/2\" x 2.25\" with knobs\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eNotes\u003c\/span\u003e\u003cbr\u003e\nThe Organizer has an output gain stage with no master control.\u003cbr\u003e\nWhen it's idle, even with all knobs at zero, the will be about as much\u003cbr\u003e\n\"white noise\" as an average overdrive pedal with it's gain at zero and\u003cbr\u003e\nthe level set to unity. A minimal amount while idle is normal but it\u003cbr\u003e\nwill not be noticeable during play. The sound will be more apparent in\u003cbr\u003e\nfront of a gained up amp or other dirt\/gain\/boost pedals.\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861373046972,"sku":"M00001912","price":379.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_3260_Orig_ui0s15.jpg?v=1779760727"},{"product_id":"boss-ps-6-harmonist","title":"Boss PS-6 Harmonist","description":"\u003cp\u003eMeet the BOSS harmonist, with four intelligent pitch-shift effects and three-voice harmony in one convenient unit. Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild three- and four-octave pitch sweeps. You can even control pitch with an optional expression pedal. The harmony function is fast and simple to use, and supports a variety of interval patterns. It’s easy to create rich, three-voice harmony: choose a major or minor key, and set SHIFT to 3-VOICE—that’s it! The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861373079740,"sku":"PS6","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5062_Orig_gvowwq.jpg?v=1779760730"},{"product_id":"earthquaker-devices-rainbow-machine","title":"Earthquaker Devices Rainbow Machine","description":"\u003cp\u003eStop me if you’ve heard this before: Welcome to the \u003ca href=\"https:\/\/www.earthquakerdevices.com\/rainbow-machine\"\u003eRainbow Machine\u003c\/a\u003e, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and\/or tone hounds. There are no \"natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.\u003c\/p\u003e\n\u003cp\u003eThe Rainbow Machine has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent Flexi-Switch foot switches on both the Activate and Magic functions, and most of all, has more Magic?\u003c\/p\u003e\n\u003cp\u003eThe Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; coloured with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings.\u003c\/p\u003e\n\u003cp\u003eThe Pitch control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Use the Primary function control to adjust the volume of the polyphonic harmony.\u003c\/p\u003e\n\u003cp\u003eYou may add in an accompanying octave or thicken the modulation by bringing up the Secondary function control. The Tracking control adjusts the lag time between the wet and dry signals, and the Tone control rolls off some treble for a darker, \"vintage” \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003esound\u003c\/a\u003e. Clockwise is bright, counterclockwise is dark.\u003c\/p\u003e\n\u003cp\u003e\u003cpro tip: the rainbow machine pitch warping behaviour is entirely dependent upon knob position relative to noon. set above noon echoes pixie trails and other effects will ascend in as they sustain. with control below any lingering descend pitch. this becomes extremely important when using magic function.\u003e\u003c\/pro\u003e\u003c\/p\u003e\n\u003cp\u003eThe Secondary control adds an octave of the Primary harmony. When the Pitch control is above noon, Secondary adds an octave above the harmony. When the Pitch control is below noon, the Secondary control will add one octave below the harmony. With the Pitch set to noon, the Secondary control adds an additional chorus voice for modulated, triple-tracked tones. Use this control to blend in faux-shimmer sounds or a low-frequency rumble. It’s up to you. From there, it’s only a matter of how weird you wanna get.\u003c\/p\u003e\n\u003cp\u003eAnd you can choose how weird you wanna get with the Magic control. This is a regeneration control that creates aliasing (among other things) by feeding the Primary and Secondary signals back on themselves and each other, and a bunch of other stuff no one understands.\u003c\/p\u003e\n\u003cp\u003eWith the Magic engaged and the control set low, you can squeeze a few extra repeats out of whatever setting you happen to be using. As you increase the Magic control, you’ll start noticing increased ambiance, resonant, edge-of-oscillation pitch-shifting delays, chorus, metallic digi-flanging, ascending (or descending) pixie trails, controllable self-oscillation, squalls of synthetic noise, whale song, and finally, distortion. It’ll take you way beyond and open up your third eye, trust us. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descends, chaos chorusing, shrieks, groans, gurgles, briggles, bruggles, bridals, wizard-blessed wizardry, signal transformation, imminent destruction, and other general mayhem.\u003c\/p\u003e\n\u003cp\u003eEach and every Rainbow Machine is harvested by hand in the (pixie) dusty Rainbonium mines of sunshiny Akron, Ohio, USA.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;color: #ef001b\"\u003e\u003cbr\u003e\n\u003c\/span\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003ePitch:\u003c\/strong\u003e This controls the pitch of the harmony. All the way counterclockwise is a 4th down, all the way clockwise is a 3rd up. The middle position is unison. The pitch can be controlled by an expression pedal as well.\u003cbr\u003e\n\u003cstrong\u003eExp Jack: \u003c\/strong\u003eThis is an expression pedal control jack for the pitch. The Pitch control is defeated when an expression pedal is inserted.\u003cbr\u003e\n\u003cstrong\u003ePrimary:\u003c\/strong\u003e This controls the volume of the Primary pitch-shifted signal. Unity gain is at about 2 o’clock, anything above will boost the signal.\u003cbr\u003e\n\u003cstrong\u003eSecondary:\u003c\/strong\u003e This controls the volume of the secondary pitch-shifted signal. The Secondary controls the octave up\/down from the primary pitch. At the noon position the Secondary is not present at all. However, turning the knob counterclockwise from noon yields an octave below, whereas turning clockwise yields an octave above and everything in between. Unity gain is at about 2 o’clock, anything above will boost the signal.\u003cbr\u003e\n\u003cstrong\u003eTracking:\u003c\/strong\u003e This controls the amount of lag time between the direct dry signal and the shifted wet signal. The pitch-shifted signal will track right on the dry signal when this control is all the way clockwise. It will start to lag behind the more it is reduced. This function is especially useful when the \"Magic” is engaged.\u003cbr\u003e\n\u003cstrong\u003eMagic:\u003c\/strong\u003e This adjusts the \"weirdness” of the effect. The end result is a wide variety of wild effects depending on where the other controls are set. The magic control will only work if the magic switch is engaged and the primary and\/or secondary are in use. (Technically, it’s a regeneration control that creates aliasing between a mix of the primary and secondary functions feeding back against each other.)\u003cbr\u003e\n\u003cstrong\u003eTone: \u003c\/strong\u003eAll the way clockwise is full signal, turn counterclockwise to soften the highs.\u003cspan style=\"line-height: 1.42857\"\u003e\u003cbr\u003e\n\u003c\/span\u003e\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861373112508,"sku":"M00001917","price":439.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Earthquaker-Devices-Rainbow-Machine_ryj4sk.jpg?v=1779760730"},{"product_id":"earthquaker-devices-spatial-delivery-envelope-filter","title":"Earthquaker Devices Spatial Delivery Envelope Filter","description":"\u003cp style=\"margin-top: 0px\"\u003eThe \u003ca href=\"https:\/\/www.earthquakerdevices.com\/spatial-delivery\"\u003eSpatial Delivery\u003c\/a\u003e is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes- Up Sweep, Down Sweep and Sample and Hold. With Range, Resonance and Filter controls you can get super emphasised filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favourite overdrive\/fuzz after the Spatial Delivery and you've got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you're a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003emix\u003c\/a\u003e (before or after) and you've just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counter clockwise), band pass (centre) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice. We recommend placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. Each Spatial Delivery is hand made bit by damn bit in silver studded Akron Ohio.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eControls\u003c\/span\u003e\u003cspan style=\"font-weight: bold;color: #ef001b\"\u003e\u003cbr\u003e\n\u003c\/span\u003e\u003cspan style=\"font-weight: bold\"\u003eMode Toggle: \u003c\/span\u003eThis toggles between upward sweep, downward sweep or sample and hold.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eRange:\u003c\/span\u003e Adjusts the sensitivity of the envelope in Up and Down mode. In Sample and Hold mode, this controls the speed.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eFilter: \u003c\/span\u003eThis crossfades between high pass and low pass filters and allows you to get everything in between.\u003cbr\u003e\nHigh pass is fully counter clockwise, low pass is full clockwise and centre is band pass. This is much more useful than a simple switch because it allows you to blend the filters for different sounds!\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eResonance:\u003c\/span\u003e This is the filter feedback control, it adds more body and ring to the filter voice.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003ePower:\u003c\/span\u003e Please use a standard 9 volt DC power supply intended for musical instruments with a negative centre 2.1mm barrel.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eCurrent Draw:\u003c\/span\u003e 69ma\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861373145276,"sku":"M00001918","price":379.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5176_Orig_p1mo7t.jpg?v=1779760730"},{"product_id":"boss-sy-300-guitar-synthesizer","title":"Boss SY-300 Guitar Synthesizer","description":"\u003cp\u003eGrab your favorite axe and dive into an extraordinary world of sound creation with the SY-300 Guitar Synthesizer. The SY-300 can be used with all your guitars right away, with no special pickup required—just plug into the standard 1\/4-inch jack and play! Thanks to revolutionary new BOSS technology, you’re able to explore fat, analog-style polyphonic synth sounds with zero latency, seamlessly extending the natural expressiveness and familiar feel of your own instrument. In addition, you can shape your normal guitar with the synth’s filters, amps, and LFOs to create all sorts of cool sounds never heard before. From unique lead textures to rich, evocative soundscapes, the SY-300 brings untapped dimensions of inspiration and creativity to your music.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlug into the standard 1\/4-inch jack and play rich and expressive polyphonic synth tones with any guitar\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eCompletely latency-free playing feel directly connects your hands with the sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eThree simultaneous synth sections and four effects processors enable rich, dynamic, and diverse sound creation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eShape your normal guitar tone with synth filters, amplifiers, and LFOs to create all-new sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eGraphic LCD display, three assignable footswitches, and dedicated on\/off footswitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003e70 ready-to-play preset patches and 99 user patches for storing custom sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eCreate and archive sounds on your computer with the \u003ca href=\"https:\/\/www.boss.info\/global\/products\/sy-300\/\"\u003eBOSS\u003c\/a\u003e Tone Studio editor\/librarian and download new sounds at BOSS Tone Central\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.42857143\"\u003eWorks with bass and other electronic instruments as well\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold\"\u003eAccess Expressive New Sounds via a Standard 1\/4-Inch Input: \u003c\/span\u003eWith the SY-300, tapping into BOSS’ legendary guitar synth technology has never been easier. While our other synth products require a special GK pickup and 13-pin cable to access synth voices, the SY-300 can be used with any guitar via a standard 1\/4-inch cable. Powered by ultra-fast DSP and newly developed innovations from the BOSS engineering team, the SY-300 performs its amazing synth magic in real time, with no lag whatsoever. This delivers a latency-free playing experience that’s a natural extension of your normal guitar, letting you to play freely and organically without altering your technique in any way.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold\"\u003eA True Analog-Style Synth for Guitar:\u003c\/span\u003e The SY-300 features a powerful polyphonic synthesis engine with three separate sections, bringing a limitless range of fresh tones to your arsenal. Just like a keyboard player with a classic analog synth, you have complete creative freedom to build sounds with a full palette of synthesis parameters—select different wave shapes, tweak them with filter, amp, and pitch controls, modulate them with LFOs, and layer oscillators for rich, complex tones. There’s even a step sequencer (with tap tempo control) for creating dynamic melodies and arpeggios simply by playing a single note on your guitar! And with the cool Blender function, you can instantly mix and match synth settings from other patches to discover inspiring new sounds with no heavy lifting at all.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold\"\u003eShape Your Normal Guitar Sound with Synth Parameters: \u003c\/span\u003eBeyond its amazing synth voices, the SY-300’s synth engine can be used to process your normal guitar sound in many compelling ways. Apply filtering to alter the basic tonality, and use the amplifier parameters to alter the attack and decay characteristics. After that, add some sweeping movement to the sound with the LFO section. With these powerful controls, you’re able to extend your regular axe with an endless supply of unique creative textures, from subtle to otherworldly.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold\"\u003eMaximize Tones with High-Impact Effects: \u003c\/span\u003eEffects play a huge role in \u003ca href=\"https:\/\/www.worldofmusic.com.au\/piano-keys\/synths-workstations\/\"\u003esynthesizer\u003c\/a\u003e sound design, and the SY-300 is filled with options to take your tones into the stratosphere. Four simultaneous effects engines are available, each packing a number of effects types including overdrives and distortions, Slow Gear, Isolator, Slicer, and many others. Some types can even perform two effects at once, such as chorus and delay or delay and reverb. Use the effects to process synth sounds, your straight guitar sound, or both at once—it’s up to you.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold\"\u003ePowerful Control Options and Versatile Connectivity: \u003c\/span\u003eControlling the SY-300 while performing is simple. Using the four built-in footswitches, you can bypass the synth sound, scroll through patches, and control three different parameters of your choosing per patch. Two external footswitches or an expression pedal can also be connected for even more real-time control if needed. The Thru output lets you to send your dry guitar sound directly to your pedals or amp, or it can be used along with the Return jack as an effects loop. Dual output pairs (Main and Sub) offer assignable signal routing options to integrate with any setup, while MIDI In and Out\/Thru jacks are provided for interfacing with switchers, drum machines, and other MIDI gear.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: bold\"\u003eUSB Interface for Computers: \u003c\/span\u003eThe SY-300 is equipped a USB audio interface to capture audio tracks directly into music production software on your computer. You can record the SY-300’s synth and effects sounds, or just monitor them while recording a dry signal. Then, feed that signal back into the SY-300 to \"re-synth” the sound and create the perfect tone for your mix. You can feed other tracks from your DAW into the SY-300 as well, processing them with the synth engine and effects to create cool new sounds for your productions. The SY-300’s USB connection also allows you to build and organize patches with the dedicated BOSS Tone Studio editor and download new patches from the BOSS Tone Central website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861373309116,"sku":"SY300","price":1169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4901_Orig_ibwuky.jpg?v=1779760731"},{"product_id":"earthquaker-devices-tentacle-analog-octave","title":"Earthquaker Devices Tentacle Analog Octave","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/www.earthquakerdevices.com\/tentacle\"\u003eTentacle\u003c\/a\u003e is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper \u003ca href=\"https:\/\/www.worldofmusic.com.au\/effects\/\"\u003epedal\u003c\/a\u003e. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favourite fuzz, strap on a headband and unleash your inner Jimi Hendrix. Put it in front of another octave up and blow your amp's mind. Throw it in the effects loop of a delay and marvel at what happens. What’s better? It has no controls!\u003cbr\u003e\nNothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861373407420,"sku":"M00001895","price":229.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_4867_Orig_qmpwh8.jpg?v=1779760733"},{"product_id":"tc-electronic-nether-octaver","title":"TC Electronic Nether Octaver Pedal","description":"\u003cp\u003eClassic All-Analog Octave Pedal with 1 or 2 Octaves Below Original for Adding Warm Deep Bottom End\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":46861417742524,"sku":"455059","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/TC-NETHER-1_x3h0tg.jpg?v=1779761190"},{"product_id":"tc-electronic-sub-n-up-octaver","title":"TC Electronic Sub 'N' Up Octaver Pedal","description":"\u003cp\u003eThe TC Electronic Sub 'N' Up Octaver is the new leader of the pitch-pack. Featuring TC's superb next generation octave-engine and individual blend controls for dry, octave-up and two sub-octaves, it is set to deliver flawless octave tones whether you’re playing complex chords or groovy single-note lines. And with the option of adding modulation to the mix via our high-powered TonePrint editor, for spacey ambient octaves, the \u003ca href=\"https:\/\/www.worldofmusic.com.au\/tc-electronic\/\"\u003eTC Electronic\u003c\/a\u003e Sub 'N' Up Octaver truly is the definition of pitch perfection.\u003c\/p\u003e\n\u003cp\u003e•    Next generation octave engine - For flawless polyphonic tracking\u003cbr\u003e\n•    Cool old-school monophonic octaver\u003cbr\u003e\n•    TonePrint-engine with modulation - for otherworldly octave tones\u003c\/p\u003e\n\u003ch4 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePolyphonic Epiphany\u003c\/h4\u003e\n\u003cp\u003eWhether you’re into shimmery octave-up tones for swells, a sweet 12-string ring or down and dirty subsonic octave riffs, the TC Electronic Sub 'N' Up Octaverwill deliver the goods every single time! It features the latest in polyphonic pitch technology. This means you get lightning-fast note tracking and impeccable hi-fi octave tones when playing chords.\u003c\/p\u003e\n\u003ch4 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eOld-School is Always Cool\u003c\/h4\u003e\n\u003cp\u003eThe TC Electronic Sub 'N' Up Octaver also gives you access to a cool monophonic octaver. Great for faux bass-lines with a guitar or for replicating the glorious glitchy imperfections of yesteryears octave pedals. Or!!… hook it up to a bass, crank the two sub signals, and get ready to bring down the PA.\u003c\/p\u003e\n\u003ch4 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eTonePrint – Otherworldly Octaves\u003c\/h4\u003e\n\u003cp\u003eIf the next-generation octave engine puts the TC Electronic Sub 'N' Up Octaver ahead of the curve, then the \u003ca href=\"https:\/\/www.tcelectronic.com\/tonePrints\/tonePrint-product.html?modelCode=P0DDQ\"\u003eTonePrint\u003c\/a\u003e engine blasts it into outer space. Not only can you beam custom-made tones to the pedal via the free app, you can also make your own octave tone from scratch via the editor. This features our state-of-the-art modulation engine for never heard before octave tones. So go ahead and give that pitch some vibrato. Pitches love vibrato!\u003c\/p\u003e\n\u003ch4 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eTonePrint\u003c\/h4\u003e\n\u003cp\u003eTonePrint means signature effects – and signature effects means truly creative tones. From classic innovators to the guys shaping the future of music, we’ve asked the coolest artists around to come up with their customized signature version of a TC Electronic effect – and make them available to you for \u003ca href=\"https:\/\/www.tcelectronic.com\/tonePrints\/tonePrint-artists.html\"\u003efree\u003c\/a\u003e!\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":46861419970748,"sku":"455079","price":229.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/TC-Electronic-Sub-N-Up-Octaver-front_ybdoky.jpg?v=1779761201"},{"product_id":"boss-sy-1-synthesizer-effect-pedal","title":"Boss SY-1 Synthesizer Effect Pedal","description":"\u003cp\u003eWith the Boss SY-1, it’s never been easier to infuse your creative arsenal with BOSS’s legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music.\u003c\/p\u003e\n\u003ch3 class=\"features-column-title\"\u003eExpressive Synth Sounds, No Programming Needed\u003c\/h3\u003e\n\u003cp class=\"features-column-text\"\u003eThe Boss SY-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analog-style synth sounds while occupying minimal space on your board. What’s more, all the sounds are polyphonic, allowing you to play both single notes and chords.\u003c\/p\u003e\n\u003ch3 class=\"features-column-title\"\u003ePlug-and-Play and Latency-Free\u003c\/h3\u003e\n\u003cp class=\"features-column-text\"\u003eThe Boss SY-1 can be used with any guitar or bass via a standard 1\/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the Boss SY-1 offers latency-free performance that’s a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way.\u003c\/p\u003e\n\u003ch3 class=\"features-column-title\"\u003eA Universe of Synth Sounds Inside\u003c\/h3\u003e\n\u003cp class=\"features-column-text\"\u003eWith its 11 categories and 121 total sounds, the Boss SY-1 puts an enormous array of synth colors at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone\/Rate and Depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds.\u003c\/p\u003e\n\u003ch3 class=\"features-column-title\"\u003e The Boss SY-1 is At Home in Any Rig\u003c\/h3\u003e\n\u003cp class=\"features-column-text\"\u003eAs a standard \u003ca href=\"https:\/\/www.worldofmusic.com.au\/boss-effects-pedals\/\"\u003eBOSS\u003c\/a\u003e compact, the Boss SY-1 drops into a serial pedal chain like any other stomp. But with the send\/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the SY-1’s synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations.\u003c\/p\u003e\n\u003ch3 class=\"features-column-title\"\u003eEnhance Performances with Real-Time Control\u003c\/h3\u003e\n\u003cp class=\"features-column-text\"\u003eThe Boss SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone\/Rate control.\u003c\/p\u003e\n\u003ch3 class=\"features-column-title\"\u003eBoss \u003ca href=\"https:\/\/www.worldofmusic.com.au.boss.info\/global\/products\/sy-1\/\"\u003eSY-1\u003c\/a\u003e Sound Types\u003c\/h3\u003e\n\u003cp class=\"features-column-text\"\u003e• LEAD 1\/2—A wide range of sounds suitable for single-note soloing.\u003cbr\u003e\n• PAD—Full tones that work great with chords, from layered pads to synth brass and more.\u003cbr\u003e\n• BASS—Fat synth bass sounds, including filtered and sub-octave tones.\u003cbr\u003e\n• STR—Classic analog-style strings, including layered voices and sweeping textures.\u003cbr\u003e\n• ORGAN—A large selection of organ sounds, including many with rotary-style modulation.\u003cbr\u003e\n• BELL—Percussive synth sounds with metallic resonance.\u003cbr\u003e\n• SFX 1\/2—A variety of synth sound effects, including explosive one-shot sounds, animated pitch\/filter voices, and more.\u003cbr\u003e\n• SEQ 1\/2—Pulsating sounds with rhythmic pitch or filter changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861420363964,"sku":"SY1","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Boss-sy1-synth-pedal_cq5urk.jpg?v=1779761201"},{"product_id":"boss-sy-1000-guitar-synthesizer","title":"Boss SY-1000 Guitar Synthesizer","description":"\u003cp\u003eThe Boss SY-1000 is a breakthrough creation machine that transforms your guitar or bass rig with limitless sound design options. This powerhouse music tool opens a bold new chapter in the legacy of BOSS guitar synth innovation, fusing decades of R\u0026amp;D with our latest software and hardware advancements. Backed by a cutting-edge sound engine, high-octane DSP, and evolved GK technology, the \u003ca href=\"https:\/\/www.boss.info\/au\/products\/sy-1000\/\"\u003eSY-1000\u003c\/a\u003e delivers the finest performance and most organic playing experience to date.\u003c\/p\u003e\n\u003cp\u003eThree simultaneous instruments and premium processing let you craft any sound you can imagine—intense analog-style leads, warm pads, moving synth textures, modelled electric and acoustic tones, or all at once. And with freely configurable footswitches, outputs, and external controls, you can maximise the hardware for any workflow. Sonically vast and deeply expressive, the Boss SY-1000 is an infinite well of inspiration, energising your musical vision with endless possibilities.\u003c\/p\u003e\n\u003cp\u003eThe Boss SY-1000 is the most advanced guitar\/bass synth we’ve ever made, hands down. Custom DSP delivers six times the processing muscle of the SY-300, and the newly developed sound engine leverages the power of GK independent string processing for ultra-articulate performance, lightning-fast response, instantly variable tuning, sound panning\/layering, and much more.\u003c\/p\u003e\n\u003cp\u003eA standard Boss SY-1000 patch includes three simultaneous instruments—each with a number of distinctive types to choose from—and you can combine and layer them for an endless range of sounds. Fed by the 13-pin GK input, every instrument offers an extensive set of parameters for tone shaping, mixing, and tuning. A normal ¼-inch input is available as well, letting you blend regular guitar\/bass pickup sounds alongside the three instruments.\u003c\/p\u003e\n\u003cp\u003eThe all-new Dynamic Synth takes guitar synthesis further than it’s ever gone. GK processing and speedy DSP track your instrument’s characteristics with precision detail, allowing you to craft sounds never before possible. Choose from ten oscillator waveforms—sine, triangle, PWM, three saw types (including Roland’s famous supersaw), and more. Then shape the sound with six different filters, amplifier control, two LFOs, and two powerful step sequencers. Optimum performance is realised with the GK input, but it’s also possible to play the Dynamic Synth via the normal guitar\/bass input.\u003c\/p\u003e\n\u003cp\u003eAfter shaping a basic sound with the Dynamic Synth, the fun’s just starting—with two step sequencers, you can infuse it with movement to create complex textures that pulse, breathe, and groove. Each sequencer features 16 customisable steps that control pitch, filter, and amplitude independently. Better still, every step includes 13 different envelope curves for unprecedented sonic control. And by stacking three Dynamic Synths together, you can build massive moving sounds with three oscillators and six separate step sequencers!\u003c\/p\u003e\n\u003cp\u003eComplementing the powerful Dynamic Synth are two additional synth instruments. OSC Synth is an analog-style engine with lots of filter options, full ADSR control, and high-definition sound with the discrete GK input. Also included is a perfect sonic recreation of the Roland GR-300, the legendary 1980s analog guitar synth used by some of the world’s most influential guitarists.\u003c\/p\u003e\n\u003cp\u003eThe Boss SY-1000 doesn’t stop at synthesis—it also features refreshed instrument modelling derived from historic BOSS and \u003ca href=\"https:\/\/www.worldofmusic.com.au\/roland\/\"\u003eRoland\u003c\/a\u003e GK gear. A large selection of electric, acoustic, and bass guitar types are available, each with independent tuning, EQ, virtual amp settings, and more. There’s also a highly expressive VIO Guitar instrument, which alters the input signal’s envelope and harmonic characteristics to create tones reminiscent of bowed instruments. Finally, the cool Poly FX instrument delivers richly textured voices with high-res definition only possible with GK processing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861425770684,"sku":"SY-1000","price":1499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Boss-SY-1000_t7p1ml.jpg?v=1779761233"},{"product_id":"boss-oc-5-octave-guitar-effect-pedal","title":"Boss OC-5 Octave Guitar Effect Pedal","description":"\u003cp\u003eFusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.\u003c\/p\u003e\n\u003cp\u003ePowered by the latest real-time processing technologies from BOSS, the BOSS OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.\u003c\/p\u003e\n\u003cp\u003eIntroduced in 1982, the OC-2 was the world’s first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp’s warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The BOSS OC-5’s Vintage mode brings you the OC-2’s iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.\u003c\/p\u003e\n\u003cp\u003eThe BOSS OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it’s even possible to isolate the octave effect to the bottom note in a chord—just turn the Range knob to the “Lowest” setting.\u003c\/p\u003e\n\u003cp\u003eAnother cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.\u003c\/p\u003e\n\u003cp\u003eThe BOSS OC-5 lets you instantly optimise the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it’s easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/audio-interfaces\/\"\u003eaudio interface\u003c\/a\u003e.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861448642748,"sku":"OC5","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Boss-OC-5-Octave-Pedal_ptzpzj.jpg?v=1779761348"},{"product_id":"earthquaker-devices-astral-destiny-octave-reverb-pedal","title":"EarthQuaker Devices Astral Destiny Octave Reverb Pedal","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/www.earthquakerdevices.com\/astral-destiny\"\u003eEarthQuaker Devices Astral Destiny\u003c\/a\u003e is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending \u003ca href=\"https:\/\/www.worldofmusic.com.au\/effects\/\"\u003eeffect\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1611530583472_160\" class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-becf280087c2d37244e8\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003eThe EarthQuaker Devices Astral Destiny operates between two different modes: Live or Preset. It comes with 8 factory presets, 1 for each reverb mode, that can be edited or completely overwritten for your enjoyment. The settings for \u003cstrong\u003eLength\u003c\/strong\u003e, \u003cstrong\u003eDepth\u003c\/strong\u003e, \u003cstrong\u003eRate\u003c\/strong\u003e, \u003cstrong\u003eTone\u003c\/strong\u003e, \u003cstrong\u003eMix\u003c\/strong\u003e as well as \u003cstrong\u003eEXP\u003c\/strong\u003e assignment and \u003cstrong\u003eStretch\u003c\/strong\u003e length can all be stored and recalled. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLive Mode \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is the standard mode of operation that the Astral Destiny ships in and is indicated by a Green or Red Activate LED depending on the bypass state. Astral Destiny will operate manually in this mode and all controls will visually indicate the current settings.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePreset Mode \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis puts the EarthQuaker Devices Astral Destiny into one of the 8 presets selected by the Preset rotary switch. This mode is indicated by a Yellow Activate LED. The panel controls will no longer operate as visually set and instead, the Astral Destiny will use the stored control settings for each selected preset position. If a control change is made while in Preset Mode, the Activate LED will begin to flash. You can easily save this change by holding down both footswitches until both LED’s flash 4 times indicating that the change has been saved.\u003c\/p\u003e\n\u003cdiv id=\"block-ef59f6ddeff2ec6c1627\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003eAstral Destiny can operate in two different bypass states: Tails or Full Bypass. It comes factory set in Tails Mode which allows the reverb effect to naturally decay after the effect is bypassed and is indicated by a Green Activate LED. Full Bypass will cut the reverb effect completely when the effect is bypassed and is indicated by a Red Activate LED.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAstral Destiny is buffered bypass which means that there will always be an active buffer present and it requires power to pass signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-41414aeac49f8abf8d2f\" class=\"sqs-block horizontalrule-block sqs-block-horizontalrule\" data-block-type=\"47\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-92f057b029c001e3daac\" class=\"sqs-block horizontalrule-block sqs-block-horizontalrule\" data-block-type=\"47\"\u003e\u003c\/div\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":46861460766908,"sku":"M00001879","price":359.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/EarthQuaker-Devices-Astral-Destiny_wdeb2c.jpg?v=1779761407"},{"product_id":"boss-sy-200-guitar-synthesizer","title":"Boss SY-200 Guitar Synthesizer","description":"\u003cp class=\"overview-text\"\u003e\u003cstrong\u003eA World of Synth Tones at Your Feet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOffering a universe of rich, analog-inspired polyphonic tones in a small footprint, the \u003ca href=\"https:\/\/www.boss.info\/au\/products\/sy-200\/features\/\"\u003eSY-200\u003c\/a\u003e makes it simple to weave BOSS’s expressive \u003ca href=\"https:\/\/www.worldofmusic.com.au\/guitars\/\"\u003eguitar\u003c\/a\u003e and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"p-main-features__list\"\u003e\n\u003cli\u003eAdvanced BOSS polyphonic guitar synth technology in a streamlined 200 series pedal\u003c\/li\u003e\n\u003cli\u003e12 analog-style synth categories with many variations in each (171 sounds total)\u003c\/li\u003e\n\u003cli\u003eThree adjustable parameters for customising sounds\u003c\/li\u003e\n\u003cli\u003e128 memories for saving and recalling sounds\u003c\/li\u003e\n\u003cli\u003eFast sound creation with hands-on controls and large display\u003c\/li\u003e\n\u003cli\u003eNo special pickup required—play rich, dynamic synth tones with any guitar or bass\u003c\/li\u003e\n\u003cli\u003eLatency-free performance for unrestricted musical expression\u003c\/li\u003e\n\u003cli\u003eAssignable Memory\/CTL 1 switch for memory change, hold, pitch control, and more\u003c\/li\u003e\n\u003cli\u003eBlend synth and normal guitar sounds with independent level controls\u003c\/li\u003e\n\u003cli\u003eParallel send\/return loop for easy integration with other pedals on your board\u003c\/li\u003e\n\u003cli\u003eSelectable modes for globally optimising the synth engine for guitar or bass\u003c\/li\u003e\n\u003cli\u003eSupports extended control with up to two external footswitches or an expression pedal\u003c\/li\u003e\n\u003cli\u003eFull MIDI I\/O provided with space-saving 3.5 mm TRS jacks (connection cables available separately)\u003c\/li\u003e\n\u003cli\u003eMicro \u003ca href=\"https:\/\/www.worldofmusic.com.au\/cables\/digital-cables\/\"\u003eUSB\u003c\/a\u003e jack for firmware updates\u003c\/li\u003e\n\u003cli\u003eRuns on PSA-series AC adaptor or three AA-size batteries\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA Massive Library of Expressive Synth Tones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"features-column-text\"\u003eThe SY200 transforms your guitar or bass into a versatile analog-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organised in 12 intuitive categories, along with adjustable parameters for customising the tone and response. And with 128 memory locations, you’re able to store your favourite sounds and instantly recall them while performing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuild Custom Sounds Fast\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"features-column-text\"\u003eWith the SY-200’s informative display and hands-on controls, it’s quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialed in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"features-column-text\"\u003eThe SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send\/return loop and level knobs, it’s possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful Real-Time Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"features-column-text\"\u003eThe SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customisable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on\/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I\/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlug-and-Play and Latency-Free\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"features-column-text\"\u003eYou can use the SY-200 with any guitar or bass—just plug in with a standard 1\/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you’ll enjoy latency-free performance that’s a natural extension of your instrument, letting you play freely without altering your normal technique in any way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupercharge Your Music with a Diverse Range of Sounds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"features-column-text\"\u003eThe SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.\u003cbr\u003e\n• LEAD—A wide range of sounds suitable for single-note soloing.\u003cbr\u003e\n• PAD—Full tones that work great with chords, from layered pads to synth brass and more.\u003cbr\u003e\n• STRING—Classic analog-style strings, including layered voices and sweeping textures.\u003cbr\u003e\n• BELL—Percussive synth sounds with metallic resonance.\u003cbr\u003e\n• ORGAN—A large selection of organ sounds, including many with rotary-style modulation.\u003cbr\u003e\n• BASS—Fat synth bass sounds, including filtered and sub-octave tones.\u003cbr\u003e\n• DUAL—Fat synth tones with stacked oscillators.\u003cbr\u003e\n• SWEEP—Dynamic sounds with expressive and engaging movement.\u003cbr\u003e\n• NOISE—Classic analog-style synth noise. Great for percussive sounds and dramatic effects.\u003cbr\u003e\n• SFX—A variety of synth sound effects, including explosive one-shot sounds, animated pitch\/filter voices, and more.\u003cbr\u003e\n• SEQ—Pulsating sounds with rhythmic pitch or filter changes.\u003cbr\u003e\n• ARPEGGIO—Generate rhythmic arpeggios based on the notes you play.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861481935036,"sku":"SY200","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Boss-SY200-Top_ylsmoo.jpg?v=1779761553"},{"product_id":"electro-harmonix-nano-q-tron-envelope-controlled-filter","title":"Electro Harmonix Nano Q-Tron Envelope Controlled Filter","description":"\u003cp\u003e\u003cstrong\u003eNANO Q-TRON | ENVELOPE CONTROLLED FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA compact version of the classic Micro Q-Tron Envelope Controlled Filter known for its organic, analog sound and expressivity.\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element \"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eEnvelope\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e controlled \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003ef\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eilter\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eis \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003ean effect type\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e that ventures beyond the \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003emainstream yet\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eis\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003equally at home \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003ein a wide \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003erange\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e of genres\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e and equally effective on guitar, bass, keys\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003ehorns\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e and more.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eElectro-\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eHarmonix\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e is a pioneer in this effect category and has been making \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW10143193 BCX0\"\u003eenvelope controlled\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e filter pedals since the 1970s! The Nano Q-Tron \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003espringboards off\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e that \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003edeep\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003eheritage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW10143193 BCX0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW149414942 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003eHere’s how it works: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003eThe\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003e\u003ca href=\"https:\/\/www.ehx.com\/products\/nano-q-tron\/\"\u003e Nano Q-Tron\u003c\/a\u003e responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or centre frequency of a swept filter\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003e. This allows\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003e the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-\u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2 SCXW149414942 BCX0\"\u003ewah\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003e to ultra-funky\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003e. It’s all about how you play\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW149414942 BCX0\"\u003e and it’s super interactive.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW149414942 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_raw_code wpb_content_element wpb_raw_html ehxattributes\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-salient-thin-line\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"extra-color-1\" data-spacing=\"default\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003eVol (Volume) knob which controls the pedal’s output volume\u003c\/li\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003eDrive Control adjusts its filter sweep sensitivity and how the pedal responds to the user’s playing dynamics\u003c\/li\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003eQ Control sets the peak bandwidth of the filter and determines how subtle or dramatic the effect will be\u003c\/li\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003eLP BP HP Mode Switch controls what frequency range the filter will pass. LP (low pass) emphasises the lows, BP (band pass) the midrange and HP (high pass) the highs\u003c\/li\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003e\u003ca href=\"https:\/\/www.worldofmusic.com.au\/cables\/pedalboard-patch-cables\/\"\u003ePedalboard\u003c\/a\u003e friendly, compact, rugged enclosure\u003c\/li\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003eTrue Bypass switching\u003c\/li\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-salient-thin-line extra-color-1\"\u003e\u003c\/i\u003eComes equipped with a 9Volt battery and can also be powered by an optional 9Volt power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Electro Harmonix","offers":[{"title":"Default Title","offer_id":46861493010620,"sku":"690\/NANO-QTRON","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Electro-Harmonix-Nano-Q-Tron-Front_d1b0du.jpg?v=1779761834"},{"product_id":"mxr-poly-blue-octave","title":"MXR Poly Blue Octave","description":"\u003cp\u003e\u003cstrong\u003eTHE LONG STORY\u003c\/strong\u003e\u003cbr\u003e\nThe MXR Poly Blue Octave brings modern and classic pitch-shifting styles together with fuzz and modulation to create the ultimate octave pedal for tonecrafters and sonic seekers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEVELLED UP.\u003c\/strong\u003e\u003cbr\u003e\nThe \u003ca href=\"https:\/\/www.jimdunlop.com\/mxr-poly-blue-octave\/\"\u003ePoly Blue Octave\u003c\/a\u003e features four separate octave divisions—one octave down, two octaves down, one octave up, and two octaves up—and you get to control the level of each in the mix. Each is polyphonic by default, which means they sound just as amazing with chords as they do with single note passages. Your dry signal gets its own level control, as well, so you can dial in the perfect blend of pitch-shifted tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM CONTEMPORARY CLARITY TO RAW VINTAGE GRIT.\u003c\/strong\u003e\u003cbr\u003e\nThe Mono switch takes you back to the gritty, monophonic tones of analog style pitch shifters. In this mode, the sub-octave signals have the warm vibes and raw personality of a \u003ca href=\"https:\/\/www.worldofmusic.com.au\/effects\/power-supplies-and-pedalboards\/\"\u003epedal\u003c\/a\u003e such as the MXR Vintage Bass Octave, while the higher octave signals resemble the Octavio Fuzz with its fuzz intensity dialled all the way back.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCALL UP THE THUNDER AND LIGHTNING.\u003c\/strong\u003e\u003cbr\u003e\nThe Poly Blue Octave comes equipped with an unruly fuzz that’s inspired by the classic MXR Blue Box™ Fuzz. Applied to all five signals, the fuzz volume can be adjusted using the Dry knob after pressing and holding the Fuzz button. When used with the sub-octave signals, the fuzz sounds thick and subterranean. Over the higher pitched signals, the fuzz is searing and synth-like. Run them all at the same time for a choir of thunder and lightning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePHASE YOURSELF.\u003c\/strong\u003e\u003cbr\u003e\nFor infusing your octave tones with an alluring sense of motion, from thick and syrupy to frenzied and frantic, the Poly Blue Octave features a dual-mode modulation effect. In polyphonic mode, the effect provides an uncanny simulation of the famous Leslie effect, and while In monophonic mode, it provides classic swirls and swooshes inspired by the Phase 90. Like the fuzz effect, the modulation applies to all five signals when engaged. The Mod knob adjusts the rate of the effect—when you want it off, just roll the Mod knob back fully counterclockwise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTEP UP AND TAKE CONTROL.\u003c\/strong\u003e\u003cbr\u003e\nThrough the EXP jack, the Poly Blue Octave allows you to control various settings with an expression pedal such as the Volume (X)™8 Pedal or an off-board switch such as the MXR Tap Tempo Switch to sweep between two different knob and switch configurations or toggle the fuzz and mono modes on and off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA FULL PALETTE OF TONES AND TEXTURES IN A SINGLE PEDAL.\u003c\/strong\u003e\u003cbr\u003e\nThe MXR Poly Blue Octave delivers high-performance pitch shifting, fuzz, and modulation in a ruggedly reliable housing with true bypass switching. Put this into your signal chain, and open up new sonic frontiers.\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":46861496451260,"sku":"M306","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/MXR-Poly-Blue-Octave-Face_jzrfrk.jpg?v=1779761922"},{"product_id":"boss-gm-800-guitar-synthesizer","title":"Boss GM-800 Guitar Synthesizer","description":"\u003cp\u003e\u003cstrong\u003eBOSS GM-800 GUITAR SYNTHESIZER\u003cbr\u003e\n\u003c\/strong\u003eNext-generation BOSS guitar and bass synthesizer with the advanced Roland ZEN-Core sound engine and newly developed Serial GK interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBOSS Guitar Synthesis Evolves with the Power of ZEN-Core\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 elevates guitar synthesis into a new age of natural playability and boundless creative range. Driven by the newly developed Serial GK interface, the advanced ZEN-Core sound engine unlocks any sound imaginable—from acoustic instruments to classic and modern synths—while high-performance DSP delivers tracking stability and expressive scope never before possible. Freely combine and edit Tones with the intuitive Scene workflow, colour sounds with a huge selection of effects, and explore a universe of fresh content on Roland Cloud. Compact, streamlined, and ultra-versatile, the GM-800 infuses your guitar or bass with unlimited musical potential.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNext-generation guitar and bass synthesizer with the newly developed Serial GK interface\u003c\/li\u003e\n\u003cli\u003eAdvanced ZEN-Core sound engine derived from flagship Roland synthesizers\u003c\/li\u003e\n\u003cli\u003eNatural playing feel and solid tracking stability, realised through high-performance DSP\u003c\/li\u003e\n\u003cli\u003ePowerful Scene workflow with four Tones plus Rhythm\u003c\/li\u003e\n\u003cli\u003eVast onboard sound library with over 1200 Tones and 70 Rhythm sounds\u003c\/li\u003e\n\u003cli\u003eExplore Sound Packs, Wave Expansions, legendary Roland instruments, and more on Roland Cloud\u003c\/li\u003e\n\u003cli\u003eDeep editing tools for each Tone, including sound parameters, sensitivity settings, and more\u003c\/li\u003e\n\u003cli\u003e150 user-configurable Scenes, including 100 Scenes with professional ready-to-play sounds\u003c\/li\u003e\n\u003cli\u003eOver 90 total effect types available in each Scene\u003c\/li\u003e\n\u003cli\u003eSpace-saving design flows into every setup, from pedalboard to desktop\u003c\/li\u003e\n\u003cli\u003eSerial GK expansion jack for connecting to another BOSS guitar synthesizer product\u003c\/li\u003e\n\u003cli\u003eTwo external control jacks, each with support for up to two footswitches or an expression pedal\u003c\/li\u003e\n\u003cli\u003eUSB audio\/MIDI connectivity and standard MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eGuitar to MIDI function for playing external MIDI instruments via USB or a MIDI cable\u003c\/li\u003e\n\u003cli\u003eAlso functions as a standalone synthesizer sound module for MIDI keyboard use or DAW sound expansion\u003c\/li\u003e\n\u003cli\u003eEdit Scenes and organise sounds on your computer with BOSS Tone Studio\u003c\/li\u003e\n\u003cli\u003eDownload and share GM-800 Livesets at \u003ca href=\"https:\/\/bosstoneexchange.com\/\"\u003eBOSS Tone Exchange\u003c\/a\u003e*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*For sharing on BOSS Tone Exchange, Scenes in Livesets must be created using the internal GM-800 sounds.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFor optimal performance, stay up to date with the current GM-800 system software and BOSS Tone Studio.\u003c\/p\u003e\n\u003cp\u003eDownload “BOSS TONE STUDIO for GM-800” for Windows\/macOS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Latest Milestone in Guitar Synth Innovation\u003cbr\u003e\n\u003c\/strong\u003eBOSS and its parent company Roland have been the worldwide leaders in guitar synthesizer innovation for nearly five decades, beginning with the revolutionary GR-500 system in 1977. The \u003ca href=\"https:\/\/www.boss.info\/global\/products\/gm-800\/\"\u003eGM-800\u003c\/a\u003e continues our dedication to this category, providing guitar and bass players with powerful creative tools and access to sounds typically only available with keyboard-based instruments. Expanding and elevating the concepts behind many historic Roland GR products, the GM-800 merges our latest pitch and string tracking advancements with a versatile, cutting-edge sound engine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eZEN-Core Inside\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 is built around the expandable ZEN-Core Synthesis System, the sound source behind professional Roland products like the JUPITER-X and FANTOM keyboards, the ZENOLOGY software synthesizer, and many others. ZEN-Core is the most powerful synth engine in Roland’s long history, distilling decades of expertise into one sonically vast and deeply expressive creative instrument.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOver 1200 Sounds at Your Fingertips\u003cbr\u003e\n\u003c\/strong\u003eThe ZEN-Core engine combines modern PCM synthesis and advanced modelling to bring you an infinite playground for sonic discovery. Play acoustic \u003ca href=\"https:\/\/www.worldofmusic.com.au\/piano-keys\/\"\u003epianos\u003c\/a\u003e, EPs, organs, and orchestral instruments. Tap into classic Roland synths like the JUPITER-8, JUNO-106, and many others. And combine them all together to build sounds never heard before.\u003c\/p\u003e\n\u003cp\u003eLearn More About the \u003ca href=\"https:\/\/www.roland.com\/global\/promos\/zen-core\/\"\u003eZEN-Core System\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Tones Plus Rhythm\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 features four Tone parts plus a Rhythm part filled with acoustic and electronic percussion sounds. Call up a part with the dedicated panel buttons, then explore a deep array of synth parameters, pitch settings, alternate tunings, and string assignments to shape sounds to perfection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntuitive Scene Workflow\u003cbr\u003e\n\u003c\/strong\u003eThe ZEN-Core workflow is based around Scenes, which are “super patches” containing every element in a sound: Tone selection, parameters tweaks, sensitivity and other play settings, effects, and more. And thanks to the muscular DSP, you can carry over the sound of the current Scene as you select a new one for seamless musical transitions. There are 150 user-configurable Scenes, and 100 come with pro sounds ready to play immediately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoland Cloud Expansion\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 supports an ever-growing range of creative options through Roland Cloud. Stay inspired with ZEN-Core Sound Packs and Wave Expansions. And play the ZENOLOGY synthesizer and legendary Roland instruments in your DAW from your guitar or bass. You can start using Roland Cloud right away with a free Roland Account and access additional content via three paid membership levels. All plans start with a free 30-day \u003cem\u003eUltimate\u003c\/em\u003e trial to experience everything Roland Cloud has to offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Effects Power\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 packs the full effects range of the modern ZEN-Core system. With an immense variety of effect types available in each Scene, you can shape, enhance, and mangle sounds to your heart’s delight.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated MFX for Each Part\u003cbr\u003e\n\u003c\/strong\u003eAlong with their sound-shaping parameters, every Tone and Rhythm part has a dedicated MFX processor. Each offers over 90 effect types, including distortions, filters, mod effects, delays, and more. Many selections include two effect types for additional sound-shaping control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScene and System Effects\u003cbr\u003e\n\u003c\/strong\u003eWithin every Scene, you also get two additional FX for processing the combined sound, plus high-quality chorus\/delay and reverb effects with independent send levels from each part. And with the Master Comp and EQ, you can shape the GM-800’s sound output for any recording or performance setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnlimited Guitar Expression\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 lets you harness an endless variety of sonic textures using the expressive playing characteristics of your guitar and bass. Optimise the performance with continuous pitch control or chromatic operation. Layer Tones to create rich, combined voices. Or assign them to individual strings, such as a bass sound on the low strings and a piano or sax sound on the high strings. You can even assign Tones to specific fret ranges, a powerful new feature made possible with the GM-800’s advanced pitch detection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNext-Generation Playability\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 delivers accuracy, stability, and real-time playability standards that far exceed previous systems, realised through skilled BOSS engineering and a high-speed processor dedicated solely to tracking. Multiple velocity and feel parameters let you dial in the optimal response for every sound and style. For example, you can set a Scene with piano sounds to respond to every dynamic nuance—from soft to loud—while setting another Scene with vintage analog synth sounds to the fixed velocity response found in the original instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Performer\u003cbr\u003e\n\u003c\/strong\u003eThe streamlined GM-800 flows smoothly from desktop operation to installation on an advanced pedalboard. The four footswitches default to Scene selection and two unique control settings, such as pedal hold, pitch bend, or Tone selection. But you can freely assign them to control a variety of functions via a powerful Assign matrix. Two external control jacks are also available, each supporting up to two footswitches or an expression pedal. And with five-pin MIDI I\/O, you can interface with MIDI equipment from vintage to modern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpand Your Creative World\u003cbr\u003e\n\u003c\/strong\u003eAlong with standalone operation, the GM-800 merges seamlessly into a variety of expanded creative environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdit Sounds with BOSS Tone Studio\u003cbr\u003e\n\u003c\/strong\u003eCraft Scenes in detail from your computer using the BOSS Tone Studio software for the GM-800. Set up Tones, string assignments, sensitivity, and more from a large, friendly interface. Then use the Librarian function to organize your Scenes for different songs and performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\/MIDI Interface\u003cbr\u003e\n\u003c\/strong\u003eWith a single USB cable, you can capture GM-800 sounds as audio tracks in a DAW and “re-synth” sounds in a similar way to the re-amp technique used with standard guitar tones. A Guitar to MIDI function is also available, allowing you to play virtual instruments over USB and trigger hardware sound modules via the MIDI output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI Sound Module\u003cbr\u003e\n\u003c\/strong\u003eThe versatile GM-800 can do double duty as a compact, go-everywhere MIDI sound module. Connect a keyboard or other MIDI controller to the five-pin MIDI input to play sounds live. Or use the ZEN-Core engine as a premium USB sound source within your music production workflow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultifaceted Connectivity\u003cbr\u003e\n\u003c\/strong\u003eThe GM-800 features the newly developed Serial GK digital interface, which supports guitar\/bass input from a BOSS GK-5 or GK-5B Divided Pickup and easy linking of multiple GM-800 units. GKC-AD and GKC-DA conversion boxes are also available for classic 13-pin GK devices, allowing you to drive the GM-800 with a Roland GK-3 or GK-3B pickup and use Serial GK devices with the BOSS SY-1000 and GP-10.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":46861509034172,"sku":"GM-800","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Boss-GM-800-Guitar-Synthesizer-Front_g8ucdu.jpg?v=1779762230"},{"product_id":"death-by-audio-octave-clang-v2","title":"Death By Audio Octave Clang V2","description":"\u003cp\u003e\u003cstrong\u003eOCTAVE CLANG V2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLANG THE WAY IT'S MEANT TO BE\u003c\/strong\u003e\u003cbr\u003eThe highly coveted Octave Clang has made a triumphant return to Death By Audio's workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation—evolving, refining, and enhancing its already extraordinary sound.\u003c\/p\u003e\n\u003cp\u003eEmbraced by professionals and punks alike, the vintage Octave \u003ca href=\"https:\/\/deathbyaudio.com\/products\/octave-clang\"\u003eClang\u003c\/a\u003e was created to unleash distinctly unconventional tones that captivated the senses. Today, we’ve refined and extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging.\u003c\/p\u003e\n\u003cp\u003eThe resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking \u003ca href=\"https:\/\/www.worldofmusic.com.au\/effects\/overdrive-and-distortion\/\"\u003edistortion\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBypass (Left Footswitch): Turns the Octave Clang on and off (red LED).\u003c\/li\u003e\n\u003cli\u003eOctave (Right Footswitch): Toggles the Octave Up mode (yellow LED). The yellow LED stays on\/off when the pedal is bypassed to indicate if the Octave Up is engaged.\u003c\/li\u003e\n\u003cli\u003eA right triangle symbol representing the Volume knob of the pedal.\u003cbr\u003eVolume: Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive.\u003c\/li\u003e\n\u003cli\u003eGain: Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain.\u003c\/li\u003e\n\u003cli\u003eTone: A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBias (Internal): \u003c\/strong\u003eAllows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound.\u003cbr\u003e\u003ci\u003eAccess by removing the back plate of the Octave Clang.\u003c\/i\u003e\u003c\/p\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46861517488316,"sku":"DBAOCV2","price":549.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Death-By-Audio-Octave-Clang-V2-Front_ektl8q.jpg?v=1779762430"},{"product_id":"boss-xs-1-compact-poly-shifter","title":"Boss XS-1 Compact Poly Shifter","description":"\u003cp\u003eThe XS-1 Poly Shifter delivers instant retuning in a convenient, compact footprint. Driven by advanced BOSS algorithms years in the making, this magical pedal transforms the overall pitch while maintaining your instrument’s true character. You get speedy tracking, crystal-clear response, and zero compromise in tone—whether shifting down, simulating a capo, or using extreme octave jumps for effect. 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