{"title":"Strymon Engineering","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIn their relatively brief history, Strymon Engineering have grown to become one of the most well known names in the world of effects pedals. With their origins in a company called Damage Control that was formed in 2004 to create tube driven effects, Strymon started to take shape in 2009 with a different aesthetic. The ethos of Strymon is to build products with no compromises, pushing the limits of technology in music to redefine what is possible with music gear. Strymon Effects use exceptionally great components and ridiculously powerful processors to make gear that is better than anything you have ever heard.\u003c\/p\u003e\n\u003ch2\u003eExplore the range of Strymon Effects Pedals and Power Supplies\u003c\/h2\u003e\n\u003cp\u003eStrymon have an extensive and ever growing range of effects and power supplies that are finding their way into the setups of musicians all over the world from not only guitar players, but bass players, electronic musicians, keyboard players and studio engineers alike. Their pedals are based on highly powered DSP's that allow for not only extremely high sound quality but utmost flexibility. Check out their range at World of Music including the hugely popular El Capistan dTape Echo, Blue Sky Reverb, Flint Reverb\/Tremolo, Timeline Delay, Mobius Modulation and more.\u003c\/p\u003e","products":[{"product_id":"strymon-bluesky-reverberator","title":"Strymon BlueSky Reverberator","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eHigher Elevation.\u003cbr\u003e\n\u003c\/span\u003eThe pedal that revolutionised compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverberant Bliss.\u003c\/strong\u003e\u003cbr\u003e\nWhether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.\u003c\/p\u003e\n\u003cp\u003eblueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful.\u003c\/p\u003e\n\u003cp\u003eIntuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll New Features.\u003c\/strong\u003e\u003cbr\u003e\nOur second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/\"\u003estudio\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone Shaping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA dedicated Shimmer knob and new Shimmer behaviours yield an inspiring variety of immersive new sounds.\u003c\/li\u003e\n\u003cli\u003eA new Mod switch allows you to select the modulation depth for each reverb type.\u003c\/li\u003e\n\u003cli\u003eA beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003c\/li\u003e\n\u003cli\u003eIn addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.\u003c\/li\u003e\n\u003cli\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP\/MIDI jack or USB.\u003c\/li\u003e\n\u003cli\u003eAnd you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReverb Types - Take To The Skies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eblueSky features three reverb types, each with their own distinct flavour for every reverb application you may need.\u003c\/li\u003e\n\u003cli\u003eA high-quality vintage plate reverb gives you the smooth, crisp reverberations heard on classic records from the 60s and 70s.\u003c\/li\u003e\n\u003cli\u003eA versatile room reverb places your tone in cozy small rooms, massive arenas, and everywhere in between. Our splashy spring reverb, a faithful recreation of the best vintage spring reverb circuits we could find, instantly adds character and retro mojo to any signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTone Controls - \u003c\/strong\u003e\u003cstrong\u003eTighten Things Up.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDedicated tone controls make blueSky one of the most versatile reverb pedals around.\u003c\/li\u003e\n\u003cli\u003eblueSky’s Low control tightens up the low end of your reverb by gradually dampening the low end frequencies, perfect for cleaning up muddy or boomy low end reverberations.\u003c\/li\u003e\n\u003cli\u003eFor dark, moody reverbs, use the High control to roll back the high frequencies and dial in the exact tone you’re looking for.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eShimmer -\u003c\/strong\u003e \u003cstrong\u003eBring On The Sparkle.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eblueSky’s unique Shimmer function can add sparkle or depth as well as expanded dimension and complexity to your tone by adding pitch shifting “in the tank.” This artifact-free pitch effect has a distinctive organic sound. blueSky’s Shimmer behaves differently depending on which reverb type is selected.\u003c\/li\u003e\n\u003cli\u003eTurn the Shimmer knob up when using the plate reverb to add regenerative octave-up pitch shifting. With the room reverb, shimmer regeneratively adds an octave plus a fifth. When used with the spring reverb, an intriguing octave down pitch effect with adjustable LFO speed is achieved.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModulation - Add Some Movement.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThere is a certain magic to the lush effects that can be created by modulating the lengths of the individual delay lines responsible for the reflections in a reverb tank.\u003c\/li\u003e\n\u003cli\u003eWith blueSky’s Mod switch set to its light position, the delay lines are modulated to add subtle motion to the reverb tail.\u003c\/li\u003e\n\u003cli\u003eWith the Mod switch set to deep, the signal entering the reverb tank is also modulated, in addition to the individual delay lines within the reverb tank.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReverb Controls - Complete Control.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eblueSky features a full suite of powerful and intuitive reverb controls for easily dialling in your dream reverb tone in the studio or on the stage.\u003c\/li\u003e\n\u003cli\u003eA dedicated Mix control lets you determine just the right ratio of wet to dry signal, from no reverb at all, to 50\/50 at 3 o’clock, all the way to full wet, reverb-only tones.\u003c\/li\u003e\n\u003cli\u003eblueSky’s Decay control determines how long you want your reverb to ring out. Go from short, snappy reverb tails, to spacious, nearly-infinite reverberations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI - Limitless Possibilities.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur new generation of blueSky features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via blueSky EXP\/MIDI jack or USB-C connection.\u003c\/li\u003e\n\u003cli\u003e300 \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/midi-keyboards-controllers\/\"\u003eMIDI\u003c\/a\u003e preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003cli\u003eRemotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrue\/Buffered - Choose Your Bypass Mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eblueSky lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input - Analog Touch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUncompromised dynamics and feel.\u003c\/li\u003e\n\u003cli\u003eExceptional touch sensitivity and responsiveness.\u003c\/li\u003e\n\u003cli\u003eblueSky feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStereo - Moving In Stereo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo need to make compromises when it comes to signal routing or pedal placement — blueSky features full stereo in\/out capabilities.\u003c\/li\u003e\n\u003cli\u003eA single TRS input jack allows blueSky to keep its compact form factor while giving you the option to use a stereo input signal.\u003c\/li\u003e\n\u003cli\u003eA dedicated rear panel Input switch allows you to easily set blueSky for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use blueSky as a stereo effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Instrument - On Another Level.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePedals aren’t just for guitarists. blueSky’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.\u003c\/li\u003e\n\u003cli\u003eBy setting blueSky to line level input mode, you get 10dB of added headroom, allowing you to use blueSky with bass guitars with active pickups, synthesizers, effects loops, vocals and more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eARM Processor - \u003c\/strong\u003e\u003cstrong\u003ePower To The Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before.\u003c\/li\u003e\n\u003cli\u003eThat means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHover over the interactive dots to learn more about blueSky’s knobs, switches, and inputs\/outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861366984892,"sku":"SN-BLUE-SKY-2","price":649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-BlueSky-Reverberator-Front_mrilga.jpg?v=1779760663"},{"product_id":"strymon-dig-dual-digital-delay","title":"Strymon Dig Dual Digital Delay","description":"\u003cp\u003e\u003cstrong\u003eSTRYMON DIG\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDelay Doppelgänger.\u003c\/strong\u003e\u003cbr\u003e\nDIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.\u003c\/p\u003e\n\u003cp\u003eEffortlessly create your own world of intricate and synchronised echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRack To The Future.\u003c\/strong\u003e\u003cbr\u003e\nRack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.\u003c\/p\u003e\n\u003cp\u003eOur thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24\/96 mode.\u003c\/p\u003e\n\u003cp\u003eMultiply these distinct voicings by two and get DIG — your perfect dual delay ally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Sound, New Features.\u003c\/strong\u003e\u003cbr\u003e\nOur second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG’s EXP\/MIDI jack or USB-C connection.\u003c\/li\u003e\n\u003cli\u003eDelay time can be synchronised via MIDI Clock Sync, and the sync setting can be saved for each preset.\u003c\/li\u003e\n\u003cli\u003e300 MIDI preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003cli\u003eStrymon DIG Stereo Input Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003c\/li\u003e\n\u003cli\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTone Knob\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThis powerful control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o’clock for a flat response.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSOUND DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eDelay Types - Voices Of Digital.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDon’t all digital delays sound the same? What gives a digital delay its own unique personality?\u003c\/li\u003e\n\u003cli\u003eDigital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended, unique characteristics. DIG accurately and beautifully reveals their individual personalities.\u003c\/li\u003e\n\u003cli\u003eADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis\/deemphasis create a percussive wide-band delay that adds more character when input dynamics increase.\u003c\/li\u003e\n\u003cli\u003e12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis\/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense.\u003c\/li\u003e\n\u003cli\u003e24\/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncoloured, artifact-free repeats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Delays - Two-For-One Special.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAt the heart of \u003ca href=\"https:\/\/www.strymon.net\/product\/dig\/\"\u003eDIG\u003c\/a\u003e are two simultaneous, integrated delay machines.\u003c\/li\u003e\n\u003cli\u003eDelay 1 is the master delay — Its free-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch.\u003c\/li\u003e\n\u003cli\u003eLonger delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times.\u003c\/li\u003e\n\u003cli\u003eDelay 2 follows as the companion delay. A dedicated subdivision control determines the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio.\u003c\/li\u003e\n\u003cli\u003eDon’t want your delays to be synchronised?\u003c\/li\u003e\n\u003cli\u003eDIG’s Free Mode secondary function disables time sync and subdivisions between Delay 1 and Delay 2, giving the Time 2 knob a full delay range from 20ms to 1.6s. This lets you use both of DIG’s delays as truly independent, standalone delay machines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRouting Options - Go Your Own Way.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSeries, Parallel, Ping Pong — Set up your two delays in one of three configurations.\u003c\/li\u003e\n\u003cli\u003eSeries is like setting up pedals in a chain on your board one after the other, with Delay 2 feeding into Delay 1.\u003c\/li\u003e\n\u003cli\u003eParallel will orient your delay lines so that they remain independent — Delay 1 in the left channel and Delay 2 in the right channel. If used in mono, both delays are heard at once without feeding into each other.\u003c\/li\u003e\n\u003cli\u003eWith Ping Pong, each delay acts as a ping pong delay, interacting together when both Mix knobs are turned up. Use in stereo for captivating back and forth rhythms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDelay Controls - Total Control.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDIG features a full suite of practical delay controls to dial in your dream reverb tone, from the studio to the stage.\u003c\/li\u003e\n\u003cli\u003eTwo dedicated Mix controls let you determine just the right amount of wet to dry signal, from no delays at all, to 50\/50 at 3 o’clock, all the way to full wet, delay-only tones, for both of DIG’s two delay machines.\u003c\/li\u003e\n\u003cli\u003eDIG’s Repeats knob adjusts the repeat amount for both delays. From singular repeats for short slapback delays, all the way to infinitely repeating echoes at its max position.\u003c\/li\u003e\n\u003cli\u003eWant a different amount of repeats for Delay 2? DIG features a secondary function to choose between individually dialing in Delay 2’s repeats amount, or having them controlled by the main Repeats knob.\u003c\/li\u003e\n\u003cli\u003eDIG also features two individual Time knobs for each of its two delay machines, giving you access to everything from super snappy quick delays, to long, spacey delays. Time 2 can be used to sync Delay 2’s delay time to one of 5 different delay subdivisions, or used in Free Mode to independently dial in your desired delay time.\u003c\/li\u003e\n\u003cli\u003eDelay time for Delay 1 can also be set with the Tap Tempo switch for easy on-the-fly \u003ca href=\"https:\/\/www.worldofmusic.com.au\/accessories\/metronomes\/\"\u003etempo\u003c\/a\u003e adjustments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModulation - Add Some Movement.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeed to add some extra character to your repeats? DIG features three levels of delay line modulation, perfect for adding richness and dimension to your delays.\u003c\/li\u003e\n\u003cli\u003eChoose between no modulation to hear only your delays, light mod for subtle modulation, or deep mod for lush, thick increased modulation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTone - Tune Your Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur new generation of DIG lets you fine tune your delay tone with a dedicated Tone control that adjusts the feedback filter response.\u003c\/li\u003e\n\u003cli\u003eTurn Tone to the left to cut out high frequencies for dark, washed out repeats, set it to noon for a neutral, flat response, or go past that for sparkly, shiny delays with reduced low frequencies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCircular Repeats - Round And Round.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWant to infinitely let your repeats echo on and on to create rhythmic soundscapes at the press of a button?\u003c\/li\u003e\n\u003cli\u003eHolding down the TAP footswitch enables circular repeats, where both delay lines maintain a static volume and repeat continuously until the TAP footswitch is disengaged. At this point, all previous settings will be restored.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI - Limitless Possibilities.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur new generation of DIG features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG EXP\/MIDI jack or USB-C connection. Delay times can be synchronised via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003cli\u003eRemotely bypass or engage the pedal, sync delay time changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrue\/Buffered Bypass - Choose Your Bypass Mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDIG lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input - Analog Touch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. DIG feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine\/Instrument Level - \u003c\/strong\u003e\u003cstrong\u003eOn Another Level.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePedals aren’t just for guitarists. DIG’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.\u003c\/li\u003e\n\u003cli\u003eBy setting DIG to line level input mode, you get 10dB of added headroom, allowing you to use DIG with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStereo - Moving In Stereo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo need to make compromises when it comes to signal routing or pedal placement — DIG features full stereo in\/out capabilities.\u003c\/li\u003e\n\u003cli\u003eA single TRS input jack allows DIG to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set DIG for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use DIG as a stereo effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eARM Processor - Power To The Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861367017660,"sku":"SN-DIG-2","price":649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Dig-Dual-Digital-Delay-Front_o6jrom.jpg?v=1779760663"},{"product_id":"strymon-el-capistan-dtape-echo","title":"Strymon El Capistan dTape Echo","description":"\u003cp\u003e\u003cstrong\u003eSTRYMON EL CAPISTAN V2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage Vibe Machine.\u003c\/strong\u003e\u003cbr\u003e\nPlug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere.\u003c\/p\u003e\n\u003cp\u003eEverything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way.\u003c\/p\u003e\n\u003cp\u003eTurn up the repeats for organic delay feedback with just the right amount of grit. Dial in some spring reverb to further enhance the sense of space. Effortlessly create multi-layered ambient soundscapes with the tape-style sound on sound looper.\u003c\/p\u003e\n\u003cp\u003eTransform your pedalboard into the inspiration machine it was meant to be.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnetic Monster.\u003c\/strong\u003e\u003cbr\u003e\nEl Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.\u003c\/p\u003e\n\u003cp\u003eGo from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.\u003c\/p\u003e\n\u003cp\u003eOur meticulously handcrafted dTape technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Sound, New Features.\u003c\/strong\u003e\u003cbr\u003e\nOur second generation \u003ca href=\"https:\/\/www.strymon.net\/product\/elcapistan\/\"\u003eEl Capistan\u003c\/a\u003e keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull MIDI implementation means you can control just about every switch, knob, and setting remotely by sending \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/midi-keyboards-controllers\/\"\u003eMIDI\u003c\/a\u003e commands from your controller or DAW via El Capistan’s EXP\/MIDI jack or USB-C connection.\u003c\/li\u003e\n\u003cli\u003eDelay time can be synchronised via MIDI Clock Sync, and the sync setting can be saved for each preset.\u003c\/li\u003e\n\u003cli\u003e300 MIDI preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003c\/li\u003e\n\u003cli\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpring Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSome classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth.\u003c\/li\u003e\n\u003cli\u003eFor El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eSOUND DESIGN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Machines - Echo Through Eternity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic single-note slapback. Rhythmic multi-head delays. Ambient, washed-out echoes that dissolve into waves of noise. El Capistan’s three different tape machines provide a huge variety of vintage delay sounds, offering unique functionality depending on what the Mode switch is set to.\u003c\/li\u003e\n\u003cli\u003eThe fixed tape head machine creates a classic delay effect with tape speed controlled via the Time knob. The Mode switch selects between three playback heads, each a specific distance from the record head for a specific delay interval. Choose between: (A) short delay with 1\/16 note tap tempo, (B) medium delay with dotted 1\/8 note tap tempo, and (C) long delay with 1\/4 note tap tempo.\u003c\/li\u003e\n\u003cli\u003eThe multi tape head machine has the same three playback heads as the fixed version, but simultaneously uses two of the three playback heads to create rhythmic delays that groove with one another. The Mode switch selects which two playback heads are active: (A) Heads 1 and 2 are active.(B) Heads 2 and 3 are active. (C) Heads 1 and 3 are active. The Time knob adjusts tape speed.\u003c\/li\u003e\n\u003cli\u003eThe single tape head machine changes things up by running the tape at a fixed speed while the Time knob sets the delay time by adjusting the position of a sliding record head. This tape machine also features a sound on sound looper. The Mode switch offers the following options: (A) Tape motor runs at double speed for higher fidelity with shorter delay times. (B) Tape motor runs at normal speed for lower fidelity with longer delay times. (C) Sound on Sound mode for tape-style looping with instant tape splice, bulk erase, and two tape speeds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDelay - Take Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA full suite of traditional delay controls make El Capistan a practical addition to any board.\u003c\/li\u003e\n\u003cli\u003eSet your preferred delay time using the dedicated Time knob, and dial in everything from snappy slapback delays to long, spacious echoes. Need to dial it on the fly? Use the dedicated Tap switch to lock in to your desired tempo without needing to turn a single knob.\u003c\/li\u003e\n\u003cli\u003eUse the Mix knob to make your delayed signal as subtle or noticeable as you need. From fully dry to fully wet, and everything in between.\u003c\/li\u003e\n\u003cli\u003eEl Capistan’s Repeats knob lets you select just the right amount of repeats — from a single echo for double-tracking delays, to runaway oscillation madness at its upper settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpring Reverb - Need Some Space?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLike certain echo machines of yesteryear, El Capistan features a finely-tuned spring reverb to add another dimension to your echoes.\u003c\/li\u003e\n\u003cli\u003eUse it to add subtle space and dimension to your delays at lower settings, or turn things up a notch for big, splashy waves of old-school spring reverb.\u003c\/li\u003e\n\u003cli\u003eJust want reverb? Turn the Mix knob to minimum to hear only your reverberated signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWow \u0026amp; Flutter - Add A Little Movement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEl Capistan captures the nuances of the dozens of moving parts that contributed to the sound of classic tape echoes.\u003c\/li\u003e\n\u003cli\u003eA dedicated Wow \u0026amp; Flutter knob adjusts the amount of mechanically related tape speed fluctuations.\u003c\/li\u003e\n\u003cli\u003eFrom the crisp delays of a fully cleaned and serviced machine, to the warbly, pitch modulated echoes of a road worn piece of gear — El Capistan gives you all the vibe and none of the maintenance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTape Age, Crinkle, and Bias - Better With Age.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur goal with El Capistan was to offer the most authentic tape echo experience in a modern, compact form factor. A component of that was replicating the tonal effects that the tape medium itself can have on your signal depending on the age and condition of the tape itself, as well as taking into account the significant effect of the bias setting of the tape machine.\u003c\/li\u003e\n\u003cli\u003eA dedicated Tape Age knob lets you decide whether you want the full bandwidth of brand new, glossy tape — or the warm top end of older well-used tape.\u003c\/li\u003e\n\u003cli\u003eAs a part of keeping things simple up-front, we added secondary functions for added control over the tape crinkle and tape machine bias.\u003c\/li\u003e\n\u003cli\u003eThe Tape Crinkle secondary function controls the amount and severity of tape irregularities, including friction, creases, splices and contaminants. Go from smooth and well-cared for tape, all the way to tape that’s been chewed and mangled. Just like the real thing, Tape Crinkle characteristics track accordingly to tape speed.\u003c\/li\u003e\n\u003cli\u003eWhile not a characteristic of the tape itself, how much bias signal is added to the tape’s audio signal can make huge tonal differences. By adjusting the Tape Bias secondary function, you can get high-headroom, extra clean, crisp echoes at lower settings, or crunchy, saturated echoes with higher bias levels. Higher bias settings also limit the echo volume, which can be useful at very high Repeats settings when you want to create high feedback and self-oscillation effects while still keeping output level under control. For “optimal” bias, set the knob at approximately 9 o’clock.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLow End Contour - Round Things Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEl Capistan’s Low End Contour secondary function gives you an extra layer of tonal control by shaping the low frequency content of the echo repeats.\u003c\/li\u003e\n\u003cli\u003eAt the far left of the control, you get extended low frequency bandwidth for full, deep repeats.\u003c\/li\u003e\n\u003cli\u003eAs you turn the Low End Contour knob clockwise, low frequencies are gradually filtered from the repeats, giving you the ability to create extremely high-passed echoes at the far end of the knob’s range.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSound On Sound - Over And Over Again.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJust like one of our favourite moving head tape echo machines, El Capistan gives you a Sound on Sound mode, but with some cool new features.\u003c\/li\u003e\n\u003cli\u003eWhen you enter Sound On Sound mode (Single Tape Head, Mode C), the machine is already recording, just like a traditional tape echo machine. We go several steps further by giving you instant tape splice and bulk erase functions. It’s like having a built-in tape-style looper!\u003c\/li\u003e\n\u003cli\u003eTo set the length of your tape, press Tap once to set your splice ‘in’ point, and press Tap again to set your splice ‘out’ point. All of the tone shaping knobs are active and affect your loop as it plays back and re-records. Press Tap a third time to completely erase the tape. You get 20 seconds of tape at slow speed, 10 seconds at fast speed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI - Limitless Possibilities \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur new generation of El Capistan features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan’s EXP\/MIDI jack or USB-C connection. Delay time can be synchronised via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003cli\u003eRemotely bypass or engage the pedal, sync delay BPM changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Buffereed\/Bypass - Choose Your Bypass Mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEl Capistan lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input - Analog Touch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. El Capistan feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBoost\/Cut - Turn Up The Volume.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWe all need a lift every once in a while. El Capistan features a +\/-3dB boost\/cut secondary function that lets you add a little extra “oomph” when you engage the pedal — or dial things back a bit if you need a more subtle delay without changing your Mix control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStereo - Moving In Stereo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo need to make compromises when it comes to signal routing or pedal placement — El Capistan features full stereo in\/out capabilities.\u003c\/li\u003e\n\u003cli\u003eA single TRS input jack allows El Capistan to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set El Capistan for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use El Capistan as a stereo effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine\/Instrument Level -  On Another Level.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePedals aren’t just for guitarists. El Capistan’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.\u003c\/li\u003e\n\u003cli\u003eBy setting El Capistan to line level input mode, you get 10dB of added headroom, allowing you to use El Capistan with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eARM Processor -  Power To The Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before.\u003c\/li\u003e\n\u003cli\u003eThat means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861367050428,"sku":"SN-EL-CAPISTAN-2","price":649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-El-Capistan-dTape-Echo-Front_fu4004.jpg?v=1779760664"},{"product_id":"strymon-timeline-multidimensional-delay","title":"Strymon Timeline Multidimensional Delay","description":"\u003cp\u003eWhen we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/\"\u003esound\u003c\/a\u003e quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the \u003ca href=\"https:\/\/www.strymon.net\/product\/timeline\/\"\u003eStrymon\u003c\/a\u003e sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilising a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.\u003c\/p\u003e\n\u003cp\u003eTimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.\u003c\/p\u003e\n\u003cp\u003eTweak to your hearts content and save up to 200 presets of your favourite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eSOUND DESIGN\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences\u003c\/li\u003e\n\u003cli\u003eTwelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape™, dBucket™.\u003c\/li\u003e\n\u003cli\u003eSeven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth\u003c\/li\u003e\n\u003cli\u003eAdditional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability\u003c\/li\u003e\n\u003cli\u003e200 easily accessible and nameable presets, save and recall at the press of a switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003e12 UNIQUE DELAY MACHINES\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003eDigital:\u003c\/span\u003e A crystal-clear digital delay that can be endlessly tweaked and enriched with the Filter, Grit, Smear, High Pass, and Modulation controls. A wide range of delay tones can be achieved with this classic \"voiced” digital approach. In addition, a non-linear mode allows the repeats to fade more quickly, while still retaining a natural feel.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDual:\u003c\/span\u003e Two independent delay lines can be configured in series or parallel (right\/left split). The second delay has independent Mix, Repeat and Time values, and can also be set to track the first delay’s knob values.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003ePattern:\u003c\/span\u003e The Pattern machine gives you a variety of multi-tap patterns that span from rhythmic to ambient to percussive and everything in between. Filter, Grit and Mod knobs deliver a wide range of delay experiences.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eReverse:\u003c\/span\u003e You play frontwards, it repeats backwards. Your playing triggers the delays, producing predictable, repeatable, and extremely useful reverse effects. Add some Smear to soften the attacks—smearing transients while retaining full frequency response.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003e\u003cbr\u003e\nIce: \u003c\/span\u003eThe Ice machine slices and dices your input and plays the pieces back with a selectable Interval shift amount—from an octave down to two octaves up, and anywhere in between. You can Blend the ice amount from none to all. Selectable Slice size allows further possibilities, changing the size of audio chunks that get shifted.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDuck:\u003c\/span\u003e Duck — and cover. You get a ducking delay with adjustable Sensitivity and Release Time, along with a switchable Feedback duck option. This allows for a wide variety of dynamic delay effects.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eSwell: \u003c\/span\u003eVariable swell time allows you to match the swell with the delay time. Turn the Mix to full wet and turn up the repeats for ethereal ambient effects. Adjust the Rise Time to set the time constant for the swell effect. Add some Smear to soften the attacks—smearing transients while retaining full frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eTrem: \u003c\/span\u003eThe Trem delay machine provides you with a synchronised tremolo with Waveshape, Depth and Speed for cool new sounds. Choose from triangle, square, sin, ramp, and saw to vary the delay amplitude.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eFilter: \u003c\/span\u003eThe Filter delay gives you a synchronised Filter that can be placed before or after the delay. Waveshape, Depth, Speed, Resonance, and Filter Location are all adjustable parameters. Choose from triangle, square, sin, ramp, saw, random, up, and down to vary the delay amplitude. Limitless filter possibilities!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eLo-Fi:\u003c\/span\u003e Crush some bits with the Lo-Fi delay machine. Adjust Bit Depth and Sample Rate while blending the results with the full resolution signal. Select from several hand crafted lo-fi Filters, spanning transistor radios, telephones, phonographic horns, and other \"collectibles”. Top it off with our exclusive dVinyl record noise, adding a scratchy record complete with dust and dirt.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003edTape:\u003c\/span\u003e The dTape machine delivers the complete experience of sought-after sliding-head tape echo machines, with every attribute relentlessly studied and faithfully recreated. Full control over Tape Age, Wow \u0026amp; Flutter, Tape Crinkle, Tape Bias, Low End Contour, and Tape Speed.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003e\u003cbr\u003e\ndBucket: \u003c\/span\u003eThe dBucket machine provides you with a deep and nuanced recreation of analog bucketbrigade style delay types. Two delay time ranges are available, for single or multiple BBD chip delay times. Utilise our exclusive Bucket Loss control, along with dedicated Filter and Mod controls.\u003c\/p\u003e\n\u003cp\u003eTrue Bypass (electromechanical relay switching)\u003cbr\u003e\nSelectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per preset\u003cbr\u003e\n+\/- 3dB Boost\/Cut, saveable per preset\u003cbr\u003e\nSelectable Tap Subdivision, saveable per preset\u003cbr\u003e\nOptional Kill Dry mode mutes dry signal, for use in parallel effects loops\u003cbr\u003e\nOptional Global Tap Tempo mode\u003cbr\u003e\nDimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep\u003cbr\u003e\nDesigned and Built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861367083196,"sku":"SN-TIMELINE","price":739.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Timeline.jpg?v=1779791971"},{"product_id":"strymon-flint-tremolo-reverb","title":"Strymon Flint Tremolo and Reverb","description":"\u003cp\u003e\u003cstrong\u003eSTRYMON FLINT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eA Perfect Gentleman.\u003c\/strong\u003e\u003cbr\u003e\nThe magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.\u003c\/p\u003e\n\u003cp\u003eFlint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favourite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom A Classic Era.\u003cbr\u003e\n\u003c\/strong\u003eFlint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eOn the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb.\u003c\/p\u003e\n\u003cp\u003eWith nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads.\u003c\/p\u003e\n\u003cp\u003eCouple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage Sound, New Features.\u003c\/strong\u003e\u003cbr\u003e\nOur second generation Flint gives you the same gorgeous tremolo and reverb sounds from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP\/MIDI jack or USB-C connection.\u003c\/li\u003e\n\u003cli\u003eTremolo speed can be synchronised via \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/midi-keyboards-controllers\/\"\u003eMIDI\u003c\/a\u003e Clock Sync, and the sync setting can be saved for each preset.\u003c\/li\u003e\n\u003cli\u003e300 MIDI preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003c\/li\u003e\n\u003cli\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExtended Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLove slow tremolo?\u003c\/li\u003e\n\u003cli\u003eThe Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting.\u003c\/li\u003e\n\u003cli\u003eOn the reverb side, pre-delay time is now adjustable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSOUND DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'61 Harmonic Tremolo - A Unique Rarity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ’61 Harmonic Tremolo is somewhat rare due to its very short period of availability in tube amplifiers in the early 1960s.\u003c\/li\u003e\n\u003cli\u003eIt gets its signature sound through a dual-band filtering effect that alternately emphasises low and high frequencies.\u003c\/li\u003e\n\u003cli\u003eThe end result is a soothing pulse that has shades of a mild phaser effect combined with tremolo, due to the nature of the frequency bands that are alternated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e'63 Tube Tremolo - Totally Tubular.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ’63 Power Tube Tremolo utilised the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage.\u003c\/li\u003e\n\u003cli\u003eThe power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect.\u003c\/li\u003e\n\u003cli\u003eThe effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e'65 Photocell Tremolo - Get To The Chopper.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ’65 Photocell Tremolo is a faithful recreation of the classic photo-trem circuits found in mid-1960s American amplifiers.\u003c\/li\u003e\n\u003cli\u003eThose classic circuits used a light-dependent resistor (LDR) to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO.\u003c\/li\u003e\n\u003cli\u003eAs the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR.\u003c\/li\u003e\n\u003cli\u003eThe varying resistance works with other circuit impedances to change the signal level, which produces a characteristically “hard” sounding tremolo that moves between two levels, reminiscent of a square wave.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e60s Spring Reverb - Sixties Surf.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ’60s Spring Tank Reverb is our faithful recreation of the full-size two-spring tank that was commonly used in vintage amps.\u003c\/li\u003e\n\u003cli\u003eThe two-spring tank uses spring segments of differing delay times, which adds to the complexity of the reverberated sound.\u003c\/li\u003e\n\u003cli\u003eContributing greatly to the sound are the input and output tube circuits which convert the electrical guitar signal into a mechanical signal and then back to an electrical signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e70s Plate Reverb - Sound Of The Seventies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ’70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created.\u003c\/li\u003e\n\u003cli\u003eThe astounding hardware-based algorithm used multiple delay-lines configured in parallel, with each delay featuring multiple output taps and filtered feedback paths.\u003c\/li\u003e\n\u003cli\u003eThe result is a rich, smooth reverb with a very quick build-up in density due to the summation of the many parallel output taps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e80s Hall Reverb - Totally Eighties.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ’80s Hall Rack Reverb is our rendition of the now-nostalgic digital microprocessor rack reverbs from the late ’80s.\u003c\/li\u003e\n\u003cli\u003eThe limited processing power of the day led to the implementation of efficient regenerative series loops of all-pass filters, delays, and low-pass filters.\u003c\/li\u003e\n\u003cli\u003eModulating delay lines were used to increase the reverb density and add warmth.\u003c\/li\u003e\n\u003cli\u003eThis reverb provides the signature sound of distinctive early reflections followed by the slowly-building density of the late reverberation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEffect Order - Switch Things Up.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWant to run your reverb intro tremolo like your favourite vintage tube amps did?\u003c\/li\u003e\n\u003cli\u003eOr do you prefer modulation before reverb for a cleaner, modern tone?\u003c\/li\u003e\n\u003cli\u003eFlint gives you options for both with an Effect Order secondary function that lets you choose exactly how you want your reverb and tremolo routed for ultimate tonal control.\u003c\/li\u003e\n\u003cli\u003eThis setting is accessible as a Live Edit secondary function and is savable per-preset.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePre-Delay - Add Some Space.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePre-Delay controls the delay time before the reverberated signal appears, and is now accessible as a Live Edit secondary function, savable per-preset.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI - Limitless Possibilities.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur new generation of Flint features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP\/MIDI jack or USB-C connection.\u003c\/li\u003e\n\u003cli\u003eTremolo speed can be synchronised via MIDI Clock Sync, and the sync setting can be saved for each preset.\u003c\/li\u003e\n\u003cli\u003e300 MIDI preset locations are available for loading and saving your favourite settings.\u003c\/li\u003e\n\u003cli\u003eRemotely bypass or engage the pedal, sync tremolo speed changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input - Analog Touch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUncompromised dynamics and feel.\u003c\/li\u003e\n\u003cli\u003eExceptional touch sensitivity and responsiveness.\u003c\/li\u003e\n\u003cli\u003eFlint feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrue\/Buffered Bypass - Choose Your Bypass Mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlint lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStereo - Moving In Stereo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo need to make compromises when it comes to signal routing or pedal placement — Flint features full stereo in\/out capabilities.\u003c\/li\u003e\n\u003cli\u003eA single TRS input jack allows \u003ca href=\"https:\/\/www.strymon.net\/product\/flint\/\"\u003eFlint\u003c\/a\u003e to keep its compact form factor while giving you the option to use a stereo input signal.\u003c\/li\u003e\n\u003cli\u003eA dedicated rear panel Input switch allows you to easily set Flint for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Flint as a stereo effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine\/Instrument - On Another Level.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePedals aren’t just for guitarists. Flint’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.\u003c\/li\u003e\n\u003cli\u003eBy setting Flint to line level input mode, you get 10dB of added headroom, allowing you to use Flint with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eARM Processor - Power To The Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before.\u003c\/li\u003e\n\u003cli\u003eThat means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBoost\/Cut - Turn Up The Volume.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWe all need a lift every once in a while. Flint features two dedicated +\/-3dB boost\/cut secondary functions, one for each side of Flint.\u003c\/li\u003e\n\u003cli\u003eThis lets you add a little extra “oomph” when needed, or to dial things back a bit.\u003c\/li\u003e\n\u003cli\u003eThe tremolo boost\/cut ensures you can get the level you want with any tremolo depth and speed settings.\u003c\/li\u003e\n\u003cli\u003eThe reverb boost\/cut is useful for setting a solo boost when engaging the verb, or reducing level when using huge ambient pads.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861369704636,"sku":"SN-FLINT-2","price":619.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Flint-TremoloReverb-Front_ngkiid.jpg?v=1779760711"},{"product_id":"strymon-mobius-multidimensional-modulation","title":"Strymon Mobius Multidimensional Modulation","description":"\u003cp\u003eSome might say we’re driven. When our engineers lock themselves in our \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003esound\u003c\/a\u003e design labs for months on end, you might say we’re obsessed. We have been dedicating ourselves to forging a collection of the most organic, luscious, expressive, and versatile modulation effects ever heard.\u003c\/p\u003e\n\u003cp\u003eIt was an enormous mission—we painstakingly studied the nuances of the legendary modulations of celebrated tremolo effects, phaser pedals, chorus units, and more from the last five decades. We didn’t stop at faithfully capturing these warm and lush vintage sounds—we expanded their vocabulary with extended versatility and sonic possibilities never before heard.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.strymon.net\/product\/mobius\/\"\u003eStrymon Mobius\u003c\/a\u003e gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from mouthwatering vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eSOUND DESIGN\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-class modulation algorithms deliver meticulous and detailed modulation experiences\u003c\/li\u003e\n\u003cli\u003eTwelve modulation machines to choose from: Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, Quadrature\u003c\/li\u003e\n\u003cli\u003eFive front-panel tone shaping knobs: Speed, Depth, Level, Param 1, Param 2 (Param knobs assignable per preset)\u003c\/li\u003e\n\u003cli\u003eAdditional menu-driven parameters deliver extremely flexible tone shaping options and versatility\u003c\/li\u003e\n\u003cli\u003e200 easily accessible and nameable presets, save and recall at the press of a switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe knew we must surpass what has been done—in sound design, audio quality, hardware design, and processing power. Utilising an insanely powerful SHARC DSP, every drop of power is harnessed. Top it all off with 200 presets, full MIDI implementation and a unique Pre\/Post Mode and you’re on your way to modulation ecstasy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003e12 VERSATILE MODULATION MODES\u003cbr\u003e\nChorus: \u003c\/span\u003eThe Chorus machine features five distinct modes to cover all the classic chorus sounds, from the variable-clock warmth of the dBucket, Multi, and Vibrato modes, to the crisp and clean 80s sounds of the Digital and Detune modes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eFlanger: \u003c\/span\u003eThe Flanger machine's six modes are designed to deliver the historic catalog of flanging tones with maximum ease of use. Choose from the colour-coded Silver, Grey and Black (+ and -) modes for vintage stomp flanger tones, or go through zero back to the days of tape flanging with the Zero+ and Zero- modes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eRotary: \u003c\/span\u003eThe Rotary machine captures the sonic swirling complexities of a variable horn and drum rotary speaker. A variety of parameters let you shape the system's sonics and mechanics.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eVibe:\u003c\/span\u003e The Vibe machine lives and breathes with the warmth and depth that discerning vibe fans will appreciate. Control over waveshape symmetry, low end response, and headroom allow for precise under-the-hood adjustments.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003ePhaser: \u003c\/span\u003eThe Phaser machine's modes ensure that you're able to easily dial in chewy 2, 4 and 6 stage phasers as well as swirly 8, 12 and 16(!) stage phasers. Each mode was painstakingly tuned for optimum sonic performance.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eFilter: \u003c\/span\u003eThe flexible Filter machine gives you Low Pass, Wah, and High Pass filter modes, with resonance control and a host of cool waveforms, including envelope control, to allow for soothing sweeps, funky wahs, and futuristic bleeps.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eFormant: \u003c\/span\u003eSay what? The Formant machine does the talking for you. The Formant machine provides hours of fun as a host of selectable waveforms control the selected vowels. Select random vowels, and who knows what it'll say next?\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eVintage Trem: \u003c\/span\u003eThe Trem machine provides three historic tremolo sounds. Choose the rich complexity of the Harmonic tremolo, the soothing pulses of the Tube tremolo, or the surf and spy sounds of the Photo tremolo.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003ePattern Trem:\u003c\/span\u003e The Pattern Trem machine allows you to sequence up to eight beats of trem subdivision for some unique rhythmic sounds. Choose from a variety of waveforms, including smooth sinewaves, sharp saws, choppy pulses, and more. Easily re-trigger your pattern with a single press of the tap switch.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eAutoswell: \u003c\/span\u003eThe Autoswell machine goes beyond the typical 'volume swell' effect, giving you four different types of swell curves to choose from, in addition to a wide range of rise times. The Depth knobs brings in a chorus\/vibrato effect to the swelled signal when turned up.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDestroyer: \u003c\/span\u003eThe Destroyer machine combines bit-crushing, sample-rate reduction, and lo-fi filtering alongside vinyl scratches and warps. From an old-timey 78 record, to video-game nostalgia, to a heinously corrupted under-sampled buzz, the Destroyer machine has the power, flexibility and sonic pedigree necessary to really muck things up just right.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eQuadrature: \u003c\/span\u003eThe Quadrature machine handles another spectrum of signal corruption. Choose from AM (amplitude modulation), FM (frequency modulation), or Frequency Shifting (single side band modulation) to go where few have gone before. This mode is highly flexible with a variety of waveshapes to modulate the modulation.\u003c\/p\u003e\n\u003cp\u003eTrue Bypass (electromechanical relay switching)\u003cbr\u003e\nSelectable high-quality Analog Buffered Bypass\u003cbr\u003e\nSelectable Tap Subdivision, saveable per preset\u003cbr\u003e\nOptional Global Tap Tempo mode\u003cbr\u003e\nIncluded 9V DC power supply (300mA required minimum)\u003cbr\u003e\nDimensions: 6.75″ wide, 5.1″ deep\u003cbr\u003e\nDesigned and Built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861369737404,"sku":"SN-MOBIUS","price":739.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5741_Orig_ofpgo0.jpg?v=1779760712"},{"product_id":"strymon-riverside-multistage-drive","title":"Strymon Riverside Multistage Drive","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/www.strymon.net\/product\/riverside\/\"\u003eStrymon Riverside\u003c\/a\u003e is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.\u003c\/p\u003e\n\u003cp\u003eRiverside’s cascading gain stages create harmonically rich tones that are immensely musical and natural—from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your \u003ca href=\"https:\/\/www.worldofmusic.com.au\/amps\/\"\u003eamp\u003c\/a\u003e to places you never knew it could go.\u003c\/p\u003e\n\u003cp\u003eRiverside’s continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone. This results in an incredibly versatile drive pedal that is equally capable of providing sparking cleans, mild overdrives, high-gain leads, and heavy saturated distortions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFlexibility to adapt to any amp.\u003c\/span\u003e\u003cbr\u003e\nYour amp choice has a large influence on the sound of any drive pedal connected to it. Riverside’s musical 3-band EQ, with independent Bass, Middle and Treble knobs, is designed to complement your amp’s tone with the flexibility needed to dial in your sound effectively and efficiently.  The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003e\u003cbr\u003e\nDigital or analog?\u003c\/span\u003e\u003cbr\u003e\nWe chose both. The first stage of Riverside’s custom multistage drive topology is an all-analog, ultra low noise, discrete, class-A JFET circuit. This gain stage is digitally controlled to maximise headroom while adding as much as 20dB of pure analog gain, with tight integration to the subsequent DSP gain stages.\u003c\/p\u003e\n\u003cp\u003eWith our hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eSound Design\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom cascading multistage distortion topology provides a wide range of tube-inspired drive tones\u003c\/li\u003e\n\u003cli\u003eDigitally controlled analog class A JFET input gain stage maximises headroom while adding up to 20dB of pure analog gain\u003c\/li\u003e\n\u003cli\u003ePrecision crafted DSP gain stages provide detailed complexity and responsiveness\u003c\/li\u003e\n\u003cli\u003eLow gain channel for smooth classic overdrive\u003c\/li\u003e\n\u003cli\u003eHigh gain channel for modern saturated distortion\u003c\/li\u003e\n\u003cli\u003e3-band EQ with independent Bass, Middle and Treble controls\u003c\/li\u003e\n\u003cli\u003eSelectable post-analog gain mid-band EQ push\u003c\/li\u003e\n\u003cli\u003ePresence switch to tailor the sound for use with all amplifiers from dark to bright\u003c\/li\u003e\n\u003cli\u003eOptional variable-threshold noise reduction helps tame noisy guitar pickups\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861374718140,"sku":"SN-RIVERSIDE","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5758_Orig_qjq1tl.jpg?v=1779760754"},{"product_id":"strymon-sunset-dual-overdrive","title":"Strymon Sunset Dual Overdrive Pedal","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/www.strymon.net\/product\/sunset\/\"\u003eStrymon Sunset\u003c\/a\u003e gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.\u003c\/p\u003e\n\u003cp\u003eSunset is really two customisable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your \u003ca href=\"https:\/\/www.worldofmusic.com.au\/amps\/\"\u003eamp\u003c\/a\u003e any way you want, from transparent \"more amp” to heavy saturated fuzz, and all the best places in between.\u003c\/p\u003e\n\u003cp\u003eWe are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eChannel A overdrive circuits\u003cbr\u003e\n\u003c\/span\u003eThe Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.\u003c\/p\u003e\n\u003cp\u003eThe Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased – perfect for playing the blues or just fattening up your sound with a signature midrange bump.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eChannel A boost circuit\u003c\/span\u003e\u003cbr\u003e\nThe Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up – great for tightening up an overdriven amp, or driving another gain pedal that’s a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all-around boost.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eChannel B overdrive circuits\u003cbr\u003e\n\u003c\/span\u003eThe 2stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.\u003c\/p\u003e\n\u003cp\u003eThe Hard overdrive uses a single-stage hard-clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eChannel B boost circuit\u003cbr\u003e\n\u003c\/span\u003eThe JFET type is a clean boost that subtly beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. This is a great option when your amp just \"needs a little extra.”\u003cspan style=\"font-weight: bold;\"\u003e\u003cbr\u003e\n\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eSOUND DESIGN\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSix drive circuit topologies with custom tuned voicing for each drive type\u003c\/li\u003e\n\u003cli\u003ePrecision crafted drive circuits stackable in multiple combinations for a wide variety of complex, responsive tones.\u003c\/li\u003e\n\u003cli\u003eAnalog class A JFET input gain stage maximises headroom while adding up to 20dB of pure analog gain\u003c\/li\u003e\n\u003cli\u003eDrive and Tone control ranges optimised for each circuit topology\u003c\/li\u003e\n\u003cli\u003eSeries, reverse series, and parallel drive circuit stacking via Config switch\u003c\/li\u003e\n\u003cli\u003eBright switch to tailor the sound for use with all amplifiers from dark to bright\u003c\/li\u003e\n\u003cli\u003eOptional variable-threshold noise reduction for taming noisy guitar pickups\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861374783676,"sku":"SN-SUNSET","price":509.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5742_Orig_ccri0l.jpg?v=1779760754"},{"product_id":"strymon-ojai-compact-high-current-power-supply","title":"Strymon Ojai Compact High Current Power Supply","description":"\u003cp\u003ePower your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. The \u003ca href=\"https:\/\/www.strymon.net\/product\/ojai\/\"\u003eStrymon Ojai\u003c\/a\u003e delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.\u003c\/p\u003e\n\u003cp\u003eYou get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.\u003c\/p\u003e\n\u003cp\u003eOjai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDual isolation.\u003c\/span\u003e\u003cbr\u003e\nOjai’s all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003esound\u003c\/a\u003e like they were designed to sound.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003e\u003cbr\u003e\nWorld tour ready.\u003cbr\u003e\n\u003c\/span\u003eWith automatic international power compatibility built-in, Ojai delivers clean, reliable power to all your pedals, on any stage anywhere you play in the world.\u003cbr\u003e\n\u003cspan style=\"font-weight: bold\"\u003e\u003cbr\u003e\nNever run out of outputs.\u003cbr\u003e\n\u003c\/span\u003eHave a growing rig? Ojai is part of an expandable system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack. Or use Ojai to add five more outputs to our Zuma power supply (sold separately).\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eSPECS\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated 9V outputs\u003c\/li\u003e\n\u003cli\u003e500mA per output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, centre negative, right angle to straight cables)\u003c\/li\u003e\n\u003cli\u003e24V power adapter, EIAJ-05 power adapter cable, and IEC cable included\u003c\/li\u003e\n\u003cli\u003e24V Thru jack allows connection to additional Strymon Ojai (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eTECHNOLOGY\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFive individual custom transformers (one per channel) deliver clean, consistent power\u003c\/li\u003e\n\u003cli\u003eWorldwide power compatibility ensures no-hassle international touring\u003c\/li\u003e\n\u003cli\u003eEnergy efficient, compact design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: bold\"\u003eCONSTRUCTION\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight and rugged anodised midnight blue aluminium chassis\u003c\/li\u003e\n\u003cli\u003eFits under nearly any pedalboard\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861375635644,"sku":"SN-OJAI","price":289.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5759_Orig_qbndjs.jpg?v=1779760771"},{"product_id":"strymon-ojai-r30-high-current-power-supply","title":"Strymon Ojai R30 High Current Power Supply","description":"\u003cp\u003ePower your pedals with the \u003ca href=\"https:\/\/www.strymon.net\/product\/ojai-r30\/\"\u003eStrymon Ojai R30\u003c\/a\u003e—the highest horsepower, most technologically advanced effects pedal power supply of its size. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a low profile, expandable package, giving you room to grow.\u003c\/p\u003e\n\u003cp\u003eOjai R30’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering allow your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDual Isolation\u003c\/span\u003e\u003cbr\u003e\nThe Strymon Ojai R30 features all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003esound\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eWorld Tour Ready\u003c\/span\u003e\u003cbr\u003e\nWith automatic international power compatibility built-in, Ojai R30 delivers clean, reliable power to all your pedals, on any stage anywhere you play in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eNever Run Out of Outputs\u003c\/span\u003e\u003cbr\u003e\nHave a growing rig? The Strymon Ojai R30 is part of an expandable system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack. Or use Ojai R30 to add five more outputs to our Zuma power supply (sold separately).\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eIns and Outs\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated 9V outputs with centre-negative polarity\u003c\/li\u003e\n\u003cli\u003e3 dedicated 9V outputs (500mA)\u003c\/li\u003e\n\u003cli\u003e2 adjustable outputs offer 9V (500mA), 12V (375mA), or 18V (250mA) DC options\u003c\/li\u003e\n\u003cli\u003e500mA per output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18″ length)\u003c\/li\u003e\n\u003cli\u003e24V power adapter (PS-124), EIAJ-05 power adapter cable, and IEC cable included\u003c\/li\u003e\n\u003cli\u003e24V Thru jack allows connection to additional Strymon Ojai (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eWhat are the dimensions and weight of the Strymon Ojai R30?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOjai R30 dimensions: 5.1″ x 2.3″ x 1.15” (130mm x 58mm x 29mm)\u003c\/li\u003e\n\u003cli\u003eOjai R30 weight: 6 oz. (171g)\u003c\/li\u003e\n\u003cli\u003ePS-124 power adapter dimensions: 4.2″ x 2.15″ x 1.25” (107mm x 55mm x 32mm)\u003c\/li\u003e\n\u003cli\u003ePS-124 power adapter weight: 4.7 oz. (133g)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861375668412,"sku":"SN-OJAI-R30","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5920_Orig_diog2d.jpg?v=1779760770"},{"product_id":"strymon-zuma-high-current-dc-power-supply","title":"Strymon Zuma High Current DC Power Supply","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/www.strymon.net\/product\/zuma\/\"\u003eStrymon Zuma\u003c\/a\u003e High Current Power Supply is the highest horsepower, most technologically advanced effects pedal power supply of its kind. Zuma offers nine high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Designed to meet the needs of today’s players, each output provides a staggering 500mA of current.\u003c\/p\u003e\n\u003cp\u003eZuma’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eDual isolation.\u003c\/span\u003e\u003cbr\u003e\nZuma’s all analogue circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to \u003ca href=\"https:\/\/www.worldofmusic.com.au\/live-sound\/\"\u003esound\u003c\/a\u003e like they were designed to sound.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eWorld tour ready.\u003cbr\u003e\n\u003c\/span\u003eWith automatic international power compatibility built-in, Zuma delivers an abundance of clean, rock-steady power to all your pedals, on any stage anywhere you play in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNever run out of outputs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHave a growing rig? Zuma is part of an expandable system. Add more outputs by connecting a Strymon Ojai (sold separately) with the 24V Out jack.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eTECHNOLOGY\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNine individual custom transformers (one per channel) deliver clean, consistent power\u003c\/li\u003e\n\u003cli\u003eWorldwide power compatibility insures no-hassle international touring\u003c\/li\u003e\n\u003cli\u003eEnergy efficient, compact design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold\"\u003eCONSTRUCTION\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight and rugged anodised midnight blue aluminium chassis\u003c\/li\u003e\n\u003cli\u003eFits under most pedalboards\u003c\/li\u003e\n\u003cli\u003ePedalTrain mounting bracket available soon (sold separately)\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861375701180,"sku":"SN-ZUMA","price":479.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Prod_5760_Orig_luhpwj.jpg?v=1779760774"},{"product_id":"strymon-iridium-amp-and-ir-cab-simulator-pedal","title":"Strymon Iridium Amp and IR Cab Simulator Pedal","description":"\u003cp\u003eThe Strymon Iridium \u003ca href=\"https:\/\/www.worldofmusic.com.au\/amps\/\"\u003eAmp\u003c\/a\u003e and IR Cab Simulator Pedal gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp.\u003c\/p\u003e\n\u003ch4\u003eGo Direct With Gorgeous Tone\u003c\/h4\u003e\n\u003cp\u003eSkip the hassle of lugging around or miking amps. Place the \u003ca href=\"https:\/\/www.strymon.net\/product\/iridium\/\"\u003eStrymon\u003c\/a\u003e Iridium Amp and IR Cab Simulator Pedal on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With the Strymon Iridium Amp and IR Cab Simulator Pedal, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.\u003c\/p\u003e\n\u003ch4\u003eLeave Your Amp At Home\u003c\/h4\u003e\n\u003cp\u003eNothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. The Strymon Iridium Amp and IR Cab Simulator Pedal truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.\u003c\/p\u003e\n\u003ch4\u003eThree Iconic Amplifiers\u003c\/h4\u003e\n\u003cp\u003eStrymon's Matrix Modeling process captures all the subtleties and unique tonal qualities of each amplifier. We’ve taken \u003ca href=\"https:\/\/www.strymon.net\/product\/iridium\/#section-5\"\u003ethree iconic tube amps\u003c\/a\u003e with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we’ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.\u003c\/p\u003e\n\u003ch4\u003eNine Stereo IR Cabinets\u003c\/h4\u003e\n\u003cp\u003eThe Strymon Iridium Amp and IR Cab Simulator Pedal's \u003ca href=\"https:\/\/www.strymon.net\/product\/iridium\/#section-6\"\u003espeaker cabinets\u003c\/a\u003e offer a level of realism and responsiveness unprecedented in outboard effects. It delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. The Strymon Iridium Amp and IR Cab Simulator Pedal’s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.\u003c\/p\u003e\n\u003ch4\u003eAdjustable Room Ambience\u003c\/h4\u003e\n\u003cp\u003eThe Strymon Iridium Amp and IR Cab Simulator Pedal’s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon’s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.\u003c\/p\u003e\n\u003ch4\u003eOn Stage\u003c\/h4\u003e\n\u003cp\u003eWant to play live with the exact same tones that you use at home or in the studio? Or have access to multiple amp and cab setups without having to lug them on stage? Leave your amps at home, and connect the Strymon Iridium Amp and IR Cab Simulator Pedal directly to the house PA system.\u003c\/p\u003e\n\u003cp\u003eGoing direct eliminates the need to mic an amp, giving sound engineers the option to send your amp and cab tone directly to a wedge or in-ear \u003ca href=\"https:\/\/www.worldofmusic.com.au\/studio-gear\/studio-monitors\/\"\u003emonitors\u003c\/a\u003e. Instant adjustments to your tone are right there on your pedalboard, only a footswitch away. With the Strymon Iridium Amp and IR Cab Simulator Pedal, there are no menus to wade through—just familiar, responsive amp-style controls for instant, easy adjustment.\u003c\/p\u003e\n\u003ch4\u003eIn the Studio\u003c\/h4\u003e\n\u003cp\u003eSkip the hassle of mic'ing up your amps or having to crank them up to get the tone you desire. Instantly audition amps and cabs with the flick of a switch. The Strymon Iridium Amp and IR Cab Simulator Pedal provides gorgeous, iconic amp tones, stunningly realistic stereo cabinet impulse responses, and natural room ambience—essential elements for recording guitar in the studio. Place Iridium at the end of your effects chain and capture stereo amp and cab tones direct into your recording interface. Or, place Iridium before your delays and reverbs to allow those time-based effects to occur post amp and cab.\u003c\/p\u003e\n\u003ch4\u003eAt Home\u003c\/h4\u003e\n\u003cp\u003eIntegrate the Strymon Iridium Amp and IR Cab Simulator Pedal into your pedalboard by placing at the end of your chain and experience your entire pedalboard tones directly in your headphones. You can’t always crank up an amplifier when you want to play in your living room or rehearse at home. Plug your favourite set of headphones into the Iridium’s headphone jack and get immersed in the sounds of iconic amps and cabs in a natural sounding room.\u003c\/p\u003e\n\u003ch4\u003eMore Use Cases\u003c\/h4\u003e\n\u003cp\u003eThe the Strymon Iridium Amp and IR Cab Simulator Pedal also allows for less common use cases. Want to use Iridium’s amplifiers but not the IR cabinets? Select Iridium’s Cab Bypass mode, and connect the output(s) to the effects return or power amp input on a guitar amplifier. Want to use Iridium’s IR cabinets but not the amps? Engage Iridium’s Amp Bypass mode, and connect a preamp or preamp pedal (such as Riverside) to Iridium’s input. Because the purpose of the the Strymon Iridium Amp and IR Cab Simulator Pedal is to generate amp and cabinet tones, the primary use case is for direct situations. It’s not recommended to connect Iridium to a guitar amplifier.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861469286588,"sku":"SN-IRIDIUM","price":669.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Iridium-front_dvdyav.jpg?v=1779761441"},{"product_id":"strymon-cloudburst-ambient-reverb-pedal","title":"Strymon Cloudburst Ambient Reverb Pedal","description":"\u003cp\u003e\u003cstrong\u003eInto The Clouds…And Beyond\u003cbr\u003e\n\u003c\/strong\u003eSometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end.\u003cbr\u003e\nThe simple look and feel of Cloudburst belies the power underneath the hood, because it produces some of the most gorgeous ambient reverb tones and soundscapes that you’ve ever heard out of a \u003ca href=\"https:\/\/www.worldofmusic.com.au\/guitars\/\"\u003eguitar\u003c\/a\u003e reverb pedal – there’s literally nothing else quite like it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Ambient Bliss\u003c\/strong\u003e\u003cbr\u003e\nCoupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically – so if you change pickups or play in a different place on the neck you get different results.\u003cbr\u003e\nIt’s unlike anything you’ve ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I\/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCelestial String Section\u003c\/strong\u003e\u003cbr\u003e\nCloudburst’s Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal.\u003cbr\u003e\nUse it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing.\u003cbr\u003e\nEnsemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Small Rooms to Infinite Spaces\u003c\/strong\u003e\u003cbr\u003e\n\u003ca href=\"https:\/\/www.strymon.net\/product\/cloudburst\/\"\u003eCloudburst\u003c\/a\u003e gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other.\u003cbr\u003e\nAs you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact With No Compromises\u003c\/strong\u003e\u003cbr\u003e\nAll of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst’s new compact format.\u003cbr\u003e\nFeaturing unbeatable ease of use and some of the finest reverb sounds we’ve ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign Concept\u003cbr\u003e\n\u003c\/strong\u003eWith Cloudburst, we had some very high goals in mind. Foremost was creating the best sounding single reverb algorithm we possibly could. We knew that at high decay settings, we wanted to provide the spacious experiences that are available from BigSky’s Cloud algorithm, and then we set about tailoring the short end of the decay range to generate a huge variety of natural sounding, studio quality smaller spaces.\u003c\/p\u003e\n\u003cp\u003eSecond, we wanted to provide a whole new variety of sounds never before heard from a reverb pedal with the addition of our new Ensemble effect. This effect’s design ensures a seamless, natural, and artifact-free interaction with the reverb and with your guitar signal. With the Ensemble switch in its mezzo piano (or “moderately soft”) position, it can subtly enhance the character of the reverberated signal, while in its forte setting, it can yield huge string ensemble effects reminiscent of vintage polyphonic string machine synthesizers.\u003c\/p\u003e\n\u003cp\u003eFinally, we wanted to create a pedal that was the most simple and intuitive to use of any product we’d ever designed. So with Cloudburst, there are no secondary or “hidden” functions. The pedal is controlled by just a few knobs and a switch exactly as they are labeled, so you can instantly dial up the perfect sound with no learning curve required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecay\u003cbr\u003e\n\u003c\/strong\u003eThe Decay knob on Cloudburst does some seriously heavy lifting. Not only does it control the duration of the reverb tail, but it also dramatically transforms the character of the reverb via numerous continuous under-the-hood adjustments, allowing you to discover countless new musical and inspiring sounds at different points all along the dial. Even tiny adjustments of this knob can yield noticeable changes to the character of the reverb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnsemble\u003cbr\u003e\n\u003c\/strong\u003eCloudburst’s Ensemble effect works by continuously analysing 48 different frequency bands from your input signal, and generating upper harmonic partials of what it finds in each frequency band as you play. Rather than generating a static, synthetic signal based on pitch detection, Ensemble is a dynamic, organic effect that generates harmonics based on your playing and that varies its sonic character depending on real time factors like where you pick, which pickup you use, and the volume envelope of what you play. The result is a gorgeous string ensemble-like expansion of your reverberated signal that creates a unique and unforgettable playing and listening experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMix\u003cbr\u003e\n\u003c\/strong\u003eControls the reverb mix from full dry at minimum to full wet at maximum. A 50\/50 mix occurs at approximately 3 o’clock on the knob. Additional power-up options allow for kill-dry (for use in effects loops) as well as an analog dry path option. Use moderate mix settings and darker tone settings combined with short decay times to create a variety of realistic small spaces, or soar through huge ambient cloudscapes with liberal mix settings and high decay times.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePre-delay\u003cbr\u003e\n\u003c\/strong\u003ePre-delay lets you add space between your dry signal and reverb — a handy tool for maintaining clarity when using higher Mix and Decay settings. Also useful for creating swells or blooms after notes or chords. With short decay times, Cloudburst’s pre-delay can be used to create reverberant slap-back echoes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone\u003cbr\u003e\n\u003c\/strong\u003eControls the amount of high frequencies within the reverb, with a damped high end at minimum to no damping at maximum. Set the Decay knob to tailor the sound of your reverb, or control it with an expression pedal to create dramatic effects in combination with long Decay times and Ensemble.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModulation\u003cbr\u003e\n\u003c\/strong\u003eThere is a certain magic to the lush effects that can be created by modulating the lengths of the individual delay lines responsible for the reflections in a reverb tank. Cloudburst’s MOD control can take this a few steps further, especially when used together with Ensemble, where high MOD settings can create a fast, synth-like vintage science fiction pitch modulation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003cbr\u003e\n\u003c\/strong\u003eCloudburst features full MIDI implementation, allowing you to control pedal parameters remotely by sending MIDI commands from your controller or DAW via Cloudburst’s EXP\/MIDI jack or USB-C connection. 300 MIDI preset locations are available for loading and saving your favourite settings. Remotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue \u0026amp; Buffered Bypass\u003cbr\u003e\n\u003c\/strong\u003eCloudburst lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input\u003cbr\u003e\n\u003c\/strong\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Cloudburst feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo In \u0026amp; Out\u003cbr\u003e\n\u003c\/strong\u003eNo need to make compromises when it comes to signal routing or pedal placement — Cloudburst is a stereo reverb pedal with full stereo in\/out capabilities.\u003c\/p\u003e\n\u003cp\u003eA single TRS input jack allows Cloudburst to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Cloudburst for operation with a stereo (TRS) or mono (standard TS) input source. A single low impedance TRS output jack lets you use Cloudburst as a stereo effect with a TRS cable, or mono with a TS cable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful ARM Processor\u003cbr\u003e\n\u003c\/strong\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDECAY\u003c\/strong\u003e\u003cbr\u003e\nControls the duration of the reverberated signal’s decay. Lower settings reduce the size of the reverberated space.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENSEMBLE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSets the amount of ensemble harmonics added to the reverb input:\u003c\/li\u003e\n\u003cli\u003eOff – no ensemble effect\u003c\/li\u003e\n\u003cli\u003emp – A medium amount of ensemble for a subtle enhancement\u003c\/li\u003e\n\u003cli\u003eforte – Maximum ensemble effect creating a lush and orchestral soundscape\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIX\u003cbr\u003e\n\u003c\/strong\u003eControls the reverb mix from full dry at minimum to full wet at maximum. A 50\/50 mix occurs at approximately 3 o’clock on the knob. Additional power-up options allow for kill-dry (for use in effects loops) as well as an analog dry path option.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRE-DELAY\u003cbr\u003e\n\u003c\/strong\u003eSets the amount of time before the reverberated signal appears. For most natural results, use lower MIX settings when using higher PRE-DELAY.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTONE\u003cbr\u003e\n\u003c\/strong\u003eAdjusts the high-end content of the reverb. Lower settings create darker, warmer reverberation. Higher settings are bright and crisp. NOTE: Also affects the presence of the ENSEMBLE effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD\u003cbr\u003e\n\u003c\/strong\u003eControls the modulation of the reverb delay lines to create a variety of  lush effects. Turning the knob clockwise from minimum increases modulation depth for the first half of the knob’s range. Continuing to turn the knob past its halfway point increases the speed of the modulation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFOOTSWITCH\u003cbr\u003e\n\u003c\/strong\u003eEngages and bypasses effect. RED LED indicates the effect is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI\/O MODE SELECTOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003emono: mono input, mono output\u003c\/li\u003e\n\u003cli\u003emono stereo: mono input, stereo output\u003c\/li\u003e\n\u003cli\u003estereo: stereo input, stereo output\u003c\/li\u003e\n\u003cli\u003eNote: Stereo operation requires a TRS adapter or cable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIN\u003cbr\u003e\n\u003c\/strong\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUTS\u003cbr\u003e\n\u003c\/strong\u003eLow impedance stereo TRS output. Use TS for mono output or TRS for stereo output..\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXP \/ MIDI\u003cbr\u003e\n\u003c\/strong\u003eMultifunction communication jack for external control of Cloudburst’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting).\u003cbr\u003e\nCan be set to operate in one of five modes: Expression Pedal, Favourite, Freeze, Infinite, or MIDI Mode. See User Manual for details.\u003c\/p\u003e\n\u003cp\u003eSee complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C\u003cbr\u003e\n\u003c\/strong\u003eComputer connection for controlling via MIDI and for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9VDC\u003cbr\u003e\n\u003c\/strong\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 250mA minimum.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861505757372,"sku":"SN-CLOUDBURST","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Cloudburst-Ambient-Reverb-Pedal-Front_tfcg61.jpg?v=1779762136"},{"product_id":"strymon-big-dbucket-digital-delay","title":"Strymon Big dBucket Digital Delay","description":"\u003cp\u003e\u003cstrong\u003eCertified Organic Delay\u003c\/strong\u003e\u003cbr\u003e\nThe delays that become true classics do not simply repeat the notes you play.\u003c\/p\u003e\n\u003cp\u003eThey do something special to each delay repeat – something that evokes a feeling, fuelling the music and inspiring you.\u003c\/p\u003e\n\u003cp\u003ePlug into Brig, play a note, and you’re instantly drawn in by repeats that evolve with captivating complexity and uncommonly rich tonal characteristics.\u003c\/p\u003e\n\u003cp\u003eBrig delivers all the warmth, subtle grit and unique tactile playing experience of analog bucket brigade delays (BBDs), offering three distinct delay voicings in one highly addictive stereo pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Delays in One\u003c\/strong\u003e\u003cbr\u003e\nBrig’s stunning dBucket sound generation gives you three different and meticulously crafted analog delay voicings.\u003c\/p\u003e\n\u003cp\u003eThe 3205 voice delivers gritty repeats that can morph as it feeds back, creating sounds ranging from gorgeous slapback echoes to psychedelic sci-fi effects.\u003c\/p\u003e\n\u003cp\u003eThe 3005 voice recreates a dual MN3005 BBD chip circuit running at 15V for longer delay times, higher headroom, and warm repeats with a soft, dreamlike quality.\u003c\/p\u003e\n\u003cp\u003eThe Multi voice features two cross-coupled, super-clean dBucket delay lines with golden ratio timing to create complex soundscapes and a huge stereo soundfield that remains musical and clean even while sitting on the edge of self-oscillation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeceptively Powerful\u003c\/strong\u003e\u003cbr\u003e\nBrig is a triumph of compact design, offering a huge amount of power and flexibility in an elegantly small form factor: Three truly distinct delay voices. Artifact-free tap tempo. Stereo operation. Straightforward responsive controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control for tempo, patch save\/recall, and more. Premium components, rugged construction, and a USB jack for controlling the pedal via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOUND DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoices\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeticulously Made.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrig’s voices are crafted with an attention to detail that encompasses not only the characteristics of the BBD chips, but also the surrounding circuitry responsible for turning those early designs into the classics they are considered today.\u003c\/li\u003e\n\u003cli\u003eCompanding, filtering, and noise reduction techniques played important parts in the final sound and dynamic response of those time-honoured delay circuits, and Brig has captured them all.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagic Modulation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrig’s modulation is individually voiced for each of the three delay types, and was carefully tuned to create beautifully lush modulation at any delay time or modulation speed.\u003c\/li\u003e\n\u003cli\u003eAnd while the Multi delay voice with its dual cross-coupled ping-pong delay lines would seem the obvious go-to for creating a huge stereo field, Brig’s modulation is designed to produce awesome stereo effects with the 3205 and 3005 voices as well.\u003c\/li\u003e\n\u003cli\u003eTo reveal a hidden superpower, set the 3205 voice to its minimum 30ms delay time and turn up the modulation for sumptuous bucket brigade chorus effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRepeats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlay The Feedback.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic bucket brigade delays created a unique variety of instantly recognisable, sought-after feedback effects, and Brig faithfully and organically reproduces the same sounds and experience.\u003c\/li\u003e\n\u003cli\u003eBrig’s smooth, responsive controls and remarkable \u003ca href=\"https:\/\/www.strymon.net\/product\/brig\/\"\u003edBucket\u003c\/a\u003e sound engine invite you to crank up the repeats, twist the Time knob, adjust the filter, and get lost in vintage sci-fi psychedelia.\u003c\/li\u003e\n\u003cli\u003eBesides all the fun to be had by pushing Brig into full self-oscillation, just sitting on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing.\u003c\/li\u003e\n\u003cli\u003eAs an added bonus, each of Brig’s three delay voicings has its own distinct feedback characteristics, so you can tailor the feedback response to fit the sound you’re going for.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon’t Forget The Noise.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA whisper of gentle noise is part of the sound of bucket brigade analog delay repeats (which is traditionally shaped and controlled by companding and filtering processes in the analog domain), and all of that sonic detail and organic behaviour is part of the sound of Brig.\u003c\/li\u003e\n\u003cli\u003eEspecially with the 3005 voice, the subtle noise adds a dreamlike quality to the repeats. Lovely as it is, the noise is also optional, and is easily dialled out by turning the filter knob clockwise past 2 o’clock.\u003c\/li\u003e\n\u003cli\u003eBrig’s filter is customised for each voice, controlling not only noise level and EQ for repeats but bucket loss as well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTap Tempo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtifact Free Tap Tempo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eModern technology FTW: Tapping in tempos with Brig works in a seamless way that would be impossible with a real analog delay.\u003c\/li\u003e\n\u003cli\u003eConfidently tap your tempos with no pitch shifting, no clicks, ramps or mutes. All those glorious and unique bucket brigade pitch-shifting, spaceship-launching and delay character-modifying effects are always available when setting tempo with the Time knob, but when tapping tempo Brig changes to new values smoothly and keeps you in the groove. And once tempo has been tapped in, you can use the Time knob to set the Tap Division for triplet, eighth, dotted eighth, or quarter note.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimitless Possibilities.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrig features full MIDI implementation and 300 presets, allowing you to control it remotely by sending MIDI commands from your controller or DAW via the EXP\/\u003ca href=\"https:\/\/www.worldofmusic.com.au\/cables\/midi-cables\/\"\u003eMIDI\u003c\/a\u003e jack or USB-C connection.\u003c\/li\u003e\n\u003cli\u003eRemotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW or recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrue\/Buffered Bypass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose Your Bypass Mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrig lets you choose between electromechanical relay-switched true bypass for a 100% untouched and unprocessed signal when the pedal is not engaged (which is the default), or our premium buffered bypass, which preserves your signal’s integrity by preventing the high frequency roll-off that can happen due to longer cable runs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Touch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Brig feels just as good as it sounds, thanks to a high-impedance, ultra-low noise and discrete Class A JFET preamp input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoving In Stereo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEven though it might look like it’s a standard mono effect, there’s no need to make compromises when it comes to signal routing or pedal placement with Brig — it’s a stereo delay pedal with full stereo in\/out capabilities.\u003c\/li\u003e\n\u003cli\u003eEquipped with a single TRS input and TRS output jack, the pedal keeps to a compact form factor while still giving you the option to use it in stereo.\u003c\/li\u003e\n\u003cli\u003eA dedicated rear panel Input switch allows you to determine the audio routing, selecting between Mono In → Mono Out, Mono In → Stereo Out, or Stereo In → Stereo Out (stereo in and out requires a TRS cable for each jack).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eARM Processor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower To The Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAn evolution in technology led by mobile phones and laptop computers now allows our pedals to perform more simultaneous processes than ever before, and with significantly less power draw.\u003c\/li\u003e\n\u003cli\u003eThat means more processing power for every sonic nuance, and less power consumption on your pedal board.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861509263548,"sku":"SN-BRIG","price":429.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Big-dBucket-Digital-Delay-Front_fvmrk2.jpg?v=1779762235"},{"product_id":"strymon-ultraviolet-vintage-vibe-pedal","title":"Strymon Ultraviolet Vintage Vibe Pedal","description":"\u003cp\u003e\u003cstrong\u003eSTRYMON ULTRAVIOLET VINTAGE VIBE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuintessential Vibe\u003c\/strong\u003e\u003cbr\u003e\nA warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and a dynamic response to your picking are all hallmarks of the true vibe experience.\u003c\/p\u003e\n\u003cp\u003eThicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition.\u003c\/p\u003e\n\u003cp\u003eThis feeling has been difficult to find outside of large and expensive fully-analog boutique units, but the search for that elusive experience is now over.\u003c\/p\u003e\n\u003cp\u003eDelivering vintage vibe tone that’s second to none with simple and powerful controls for instantly obtaining a rich variety of captivating sounds, \u003ca href=\"https:\/\/www.strymon.net\/product\/ultraviolet\/\"\u003eUltraViolet\u003c\/a\u003e is the vibe pedal you’ve been looking for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage Plus\u003c\/strong\u003e\u003cbr\u003e\nUltraViolet’s simple and responsive controls provide a wider range of sounds than traditional vibe pedals.\u003c\/p\u003e\n\u003cp\u003eIn addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects.\u003c\/p\u003e\n\u003cp\u003eA Bias switch gives you three distinct flavours of sweep shape and tone emphasis, allowing for tons of sonic variation.\u003c\/p\u003e\n\u003cp\u003eAt slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory.\u003c\/p\u003e\n\u003cp\u003eUltraViolet gives you all the classic vibe tones—and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll New Algorithm​\u003c\/strong\u003e\u003cbr\u003e\nFor UltraViolet’s new vibe algorithm, all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response.\u003c\/p\u003e\n\u003cp\u003eFrom the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the centre frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo MIDI Rig Ready\u003c\/strong\u003e\u003cbr\u003e\nTRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image.\u003c\/p\u003e\n\u003cp\u003eFull MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your \u003ca href=\"https:\/\/www.worldofmusic.com.au\/cables\/midi-cables\/\"\u003eMIDI\u003c\/a\u003e rig.\u003c\/p\u003e\n\u003cp\u003eIn addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003eFor hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction (Expression pedal controls Speed by default.) Or attach an optional external switch for tap tempo or favourite recall.\u003c\/p\u003e\n\u003cp\u003eFinally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feel—all in a rugged and elegantly compact form factor.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861512016060,"sku":"SN-ULTRAVIOLET","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Ultraviolet-Vintage-Vibe-Pedal_zqhacz.jpg?v=1779762299"},{"product_id":"strymon-deco-tape-saturation-amp-doubletracker-effect-pedal","title":"Strymon Deco Tape Saturation \u0026 Amp Doubletracker Effect Pedal","description":null,"brand":"Strymon","offers":[{"title":"Default Title","offer_id":46861610025148,"sku":"SN-DECO-2","price":649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/files\/Strymon-Deco-Tape-Saturation-Amp-Doubletracker-Effect-Pedal-Front_tgaxas.jpg?v=1779760751"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0735\/6599\/5196\/collections\/Strymon-Banner.webp?v=1783571601","url":"https:\/\/worldofmusic.com.au\/collections\/strymon-engineering.oembed","provider":"World of Music","version":"1.0","type":"link"}